Career
She represents with Iancu Dumitrescu the Hyper-Spectral trend in contemporary avant-garde music, conductor with Dumitrescu of the Hyperion Ensemble. Her music is spectral, acousmatic, heterophonic and transformational. She has composed around 90 works as of 2009: music for soloists, chamber music, music for orchestra, electronic music and computer-assisted music
Main works:
"Quatre Etudes d"Ombre" for bass flûte (1997)
"Axe" for cello (1993)
"Métaboles" for bass clarinet (1985)
"Quatre Etudes orphiques" for female voice, electronics and ensemble (2006)
"Nouvelle Axe" for strings ( 1997)
"In Nomine Lucis" for orchestra ( 1992)
"Telesma" for clarinet, percussion and computer sounds ( 2002)
"Chaosmos" for orchestra (1996)
"Lux Animae" for ensemble and computer-assisted sounds ( 2004)
"Voices of the Desert" for ensemble and computer-assisted sounds ( 2005)
" The Endless Burning Fire" for ensemble and computer sounds (2007)
"Un raggio Ardente e di si chiara luce" for strings (2000)
Contribution in musicology:
”Ana Maria Avram and Iancu Dumitrescu” - Musicworks Nr 71, “Being composer” - MusicWorks nr.76 ( 2000);
“Ana-Maria Avram: an adventure in experimental music” an interview with Costin Cazaban, Bananafish, Los Angeles no 15 ( 2001)
Jean-Noël Von Der Weid: “Louisiana Musique du XX Siècle” - Paris, Hachette, 2004.