Career
In 1936 she resumed art studies under Jacques Maes and held her first exhibition in 1938. Originally influenced by realists such as James Ensor, she later adopted a geometric style of landscape painting, which became increasingly abstract, inviting comparisons with Paul Klee. Her work was selected to be on show at the Documenta II exhibition in Kassel alongside other Belgian abstract artists like Henri Michaux, Michel Seuphor and Marc Mendelsohn.
She was represented by three artworks: Vestiges (1956), Vestiges Grises (1956) and Hélianthes (1957).
Exhibitions of her work have been frequent since her death, including a major series in 1963 at the Royal Museums of Fine Arts of Belgium and at the Art museums of Liège and Charleroi. Her iconic Louisiana ville d"or is held by the Royal Museums of Fine Arts of Belgium.