Background
Revazov was born in Moscow, Russia on December 12th, 1966.
Revazov was born in Moscow, Russia on December 12th, 1966.
In 1990 he graduated from the Moscow State University of Medicine and Dentistry, and since 1991 he has worked in the advertising and technology industries.
He emigrated to Israel, where he lived for several years before returning to Moscow. Since 2002 he has served on the board of directors of the IMHO Vi advertising agency network. Revazov’s literary career began in 1992, when he published a collection of poems in Israel.
Between 1992 and 1995 he published a series of Russian-language short stories in Israel.
Revazov continues to publish stories in Russian periodicals. In 2005, Revazov’s first novel, Loneliness-12, was published by Ad Marginem press in Moscow.
Loneliness-12 became a bestseller in Russia and received reviews from critics, journalists and bloggers. The politician and journalist Valeriya Novodvorskaya called it “a saga, written in very good Russian prose, about four modern musketeers who venture through.
Revazov is an art-photographer.
He specializes in large format photography and uses infrared film and platinum printing techniques. Revazov is credited with creating the concept of the “White Ribbon,” which became a symbol of protest against the State Duma elections in 2011. 2010 – “Non-Apparent World” within the framework of a photo Biennale, Triumph Gallery.
Moscow, Russia.
2010 – “Non-Apparent World”, the PhotoCenter Exhibition Hall. Moscow, Russia. 2010 – “Non-Apparent World”, Meglinskaya Gallery, Contemporary Art Center “Winzavod”. Moscow, Russia. 2011 – “Unrumpled Sheets of Venice” (In connection with the 4th Moscow Biennale of Contemporary Art).
2012 – “One by Two” (1:2), Triumph Gallery.
Moscow, Russia. 2013 – “Because the World Is Round”, Gallery of Classical Photography. Moscow, Russia. 2015 – “Italy From the Fourth Dimension”, ar33studio, Venice, Italy.
2015 – "4D" Triumph Gallery, Moscow, Russia (In connection with the 6th Moscow Biennale of Contemporary Art).
The author dubbed it a “fusion novel,” combining various elements of postmodernism, thriller, and travelogue. Perestroika, privatization, wild capitalism.” Russian critic Lev Danilkin described it as “Murakami mixed with elements of Foucault"s Pendulum, The Da Vinci Code, and The Club Dumas.” lieutenant has been translated into several languages, including German, Italian, Polish, Czechoslovakian and Hungarian.