100 W Mosholu Pkwy S, The Bronx, New York 10468, United States
Adolph Green attended New York public schools and graduated from DeWitt Clinton High School in 1934.
College/University
Gallery of Adolph Green
Washington Square, New York, New York 10003, United States
Green also attended New York University, where he studied drama but didn't graduate.
Career
Gallery of Adolph Green
1944
Leonard Bernstein, Jerome Robbins, Betty Comden, and Adolph Green at the time of the creation of On the Town.
Gallery of Adolph Green
1946
New York, United States
American writing team Adolph Green and Betty Comden (1917 - 2006) pose together, seated on a steamer truck, each with an entertainment newspaper in hand, New York, New York. Green reads an issue of Variety dated February 20, 1946, while Comden reads an issue of Billboard, also from February 1946.
Gallery of Adolph Green
1947
Betty Comden and Adolph Green, December 13, 1947.
Gallery of Adolph Green
1952
Screenwriters and composers Adolph Green and Betty Comden.
Gallery of Adolph Green
1961
Betty Comden and Adolph Green.
Gallery of Adolph Green
1988
France
Director and screenwriter Alain Resnais and Adolph Green during the shooting of his film I Want To Go Home, November 1988, France.
Gallery of Adolph Green
1995
178 7th Ave S, New York, New York 10014, United States
Adolph Green, Betty Comden, Anne Meara and Jerry Stiller at the Village Vanguard sixtieth anniversary celebration. February 20, 1995.
Gallery of Adolph Green
1998
W 67th St, New York, New York 10023, United States
Authors Betty Comden and Adolph Green attending On the Town party at Tavern on the Green, November 20, 1998.
Gallery of Adolph Green
Betty Comden and Adolph Green on stage.
Achievements
Membership
Awards
Songwriters Hall of Fame
1980
Adolph Green and Betty Comden during the Songwriters Hall of Fame Award and Induction Ceremony, January 24, 1980.
Kennedy Center Honors
1991
2700 F St NW, Washington, Disctrict of Columbia 20566, United States
Gregory Peck, Betty Comden, Adolph Green, Robert Shaw, Roy Acuff, Fayard and Harold Nicholas at the Kennedy Center Honors Celebrations, December 1991.
Grammy Award
1992
665 W Jefferson Blvd, Los Angeles, California 90007, United States
(L-R) Composer Cy Coleman, record producer Mike Berniker, actor Keith Carradine with lyricists Betty Comden and Adolph Green holding their awards for album of Broadway musical The Will Rogers Follies in Press Room at Grammy Awards at Shrine Auditorium, Los Angeles.
American writing team Adolph Green and Betty Comden (1917 - 2006) pose together, seated on a steamer truck, each with an entertainment newspaper in hand, New York, New York. Green reads an issue of Variety dated February 20, 1946, while Comden reads an issue of Billboard, also from February 1946.
665 W Jefferson Blvd, Los Angeles, California 90007, United States
(L-R) Composer Cy Coleman, record producer Mike Berniker, actor Keith Carradine with lyricists Betty Comden and Adolph Green holding their awards for album of Broadway musical The Will Rogers Follies in Press Room at Grammy Awards at Shrine Auditorium, Los Angeles.
260 W 44th St, New York, New York 10036, United States
Lauren Bacall (left) gets together with Phyllis Newman and her husband Adolph Green at John's Pizzeria for the Nothing Like a Dame 2001 benefit for the Actors Fund of America's Phyllis Newman Women's Health Initiative.
(At fictitious Tait University in the Roaring '20s, co-ed ...)
At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.
(A successful but constantly-feuding husband and wife musi...)
A successful but constantly-feuding husband and wife musical comedy team threaten to break up when the wife entertains an offer to become a serious actress.
(Two turn-of-the-century baseball players, who work in vau...)
Two turn-of-the-century baseball players, who work in vaudeville during the off-season, run into trouble with their team's new female owner and a gambler who doesn't want them to win the pennant.
(Ruth Sherwood and her sister, Eileen arrive in New York f...)
Ruth Sherwood and her sister, Eileen arrive in New York from Ohio in the 1930s and find frustration, career hopes, and romance in the city of their dreams.
(A Brooklyn answering service operator becomes involved in...)
A Brooklyn answering service operator becomes involved in the lives of her clients, including a struggling playwright with whom she begins to fall in love.
(In this magical tale about the boy who refuses to grow up...)
In this magical tale about the boy who refuses to grow up, Peter Pan and his mischievous fairy sidekick Tinkerbell visit the nursery of Wendy, Michael, and John Darling.
(A four-time widow discusses her four marriages, in which ...)
A four-time widow discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.
(A group of scientists takes Simon, a psychology professor...)
A group of scientists takes Simon, a psychology professor, as a test person for a brainwash experiment. After that, they try to convince him that he was a living-being from another planet.
(Broadway star Fitzroy Wynn (Christopher Plummer) is thril...)
Broadway star Fitzroy Wynn (Christopher Plummer) is thrilled when his wife Lily (Dame Maggie Smith) writes a new script with a brilliant lead role. While egocentric Fitz thinks himself perfect for the role, Lily dashes his hopes when she admits she wants to find someone different for the part. Fitz refuses to give up his pursuit. Enlisting the reluctant help of his agent, Fitz poses as Roberto Terranova, a young Italian actor and the exact model of what Lily wants for the role. But trouble arises when Lily appears to be falling for the charming Italian, and Fitz is left to wonder just how serious she was about finding someone different.
(The third installment in the That's Entertainment series,...)
The third installment in the That's Entertainment series, featuring scenes from The Hollywood Revue of 1929, Brigadoon, Singin' In The Rain, and many more MGM films.
(Danny Williams, a successful nightclub singer, encounters...)
Danny Williams, a successful nightclub singer, encounters a variety of difficult or amusing situations in trying to balance his career with his family: his outspoken wife Kathy, teenage daughter Terry from his first marriage, children Russ and Linda, and old-fashioned Uncle Tonoose.
(Public service program sponsored by the U.S. Army feature...)
Public service program sponsored by the U.S. Army featured top country and western singers playing their hit songs interspersed with announcements urging viewers to visit their local Army recruiting station.
Adolph Green was an American playwright, lyricist, actor. He had a long-term collaboration with Betty Comden (over sixty years) as well as with Leonard Bernstein, Cy Coleman, Garson Kanin, and other theatrical composers. Green and Comden produced many Hollywood and Broadway's greatest hits including On the Town, Singin' in the Rain, and The Band Wagon.
Background
Ethnicity:
Adolph Green's parents were Hungarian Jewish immigrants.
Adolph Green was born on December 2, 1914, in the Bronx, New York City. He was the son of Hungarian Jewish immigrants Daniel and Helen (Weiss) Green.
Education
Adolph Green attended New York public schools and graduated from DeWitt Clinton High School in 1934. Green also attended New York University, where he studied drama but didn't graduate.
Adolph Green graduated from high school and worked at assorted jobs including as a runner on Wall Street, hoping for a break as an actor. In 1937 he took a job as a counselor at a summer camp where he became good friends with the music counselor, Harvard student Leonard Bernstein. The next year he met Betty Comden, then a drama major at New York University and several other theatrically-inclined young people including Judy Tuvim later became the actress Judy Holliday, who decided to form a performing troupe called the Revuers. That meeting with Comden resulted in not only a number of stage and screen musicals but so close a working and performing relationship that they were often mistakenly thought of as a married couple. Although Comden and Green conferred every day of their lives, whether working on a project or not, they were never married, nor did they ever consider it. Their other collaborators were the best theatrical composers in the business: Jule Styne, Cy Coleman, André Previn, Morton Gould, Roger Edens, Garson Kanin.
The troupe performed in the legendary Greenwich Village nightclub, the Village Vanguard, and did sketch comedy (The Banshi Sisters, The Baroness Bazuka). To save money Comden and Green wrote their material. Leonard Bernstein sometimes joined them onstage at the piano. The Revuers' fame reached the Hollywood producers, and they were offered a spot in a Carmen Miranda and Don Ameche movie called Greenwich Village (1944), but in the end, their parts were so negligible that they all straggled back to New York. Meanwhile, Bernstein had had his first great stage success collaborating with Jerome Robbins on the ballet Fancy Free (1944) and planned to turn it into a Broadway musical. Bernstein asked Comden and Green to write the book and lyrics taking the opportunity to include substantial parts in it for themselves. The huge success of the result, On the Town (1944) encouraged them to follow with two more musicals, Billion Dollar Baby (music by Morton Gould, 1945) and Bonanza Bound (1947), but neither of these did well, and Comden and Green again headed for California. Their collaborators were the best theatrical composers in the business: Jule Styne, Cy Coleman, André Previn, Morton Gould, Roger Edens, Garson Kanin.
They found work with Metro-Goldwyn-Mayer (MGM), writing screenplays for Good News (1947) with June Allyson and Peter Lawford, for The Barkleys of Broadway (1949) with Ginger Rogers and Fred Astaire, for Take Me Out to the Ball Game (1949) with Gene Kelly, Frank Sinatra and Esther Williams, and then filming On the Town (1949) with Frank Sinatra and Gene Kelly. The next project was screenplay and lyrics to Singin' in the Rain, one of the all-time greatest of film musicals, and then The Band Wagon with Fred Astaire and Cyd Charisse, which ranks nearly as high. Although Singin' in the Rain never won an award, Comden and Green earned Screen Writers Guild Awards for On the Town, The Band Wagon, and their next musical feature, It’s Always Fair Weather (1955), as well as Oscar nominations for other screenplays.
In the 1950s Comden and Green commenced a return to Broadway, with the revue Two on the Aisle (1951) starring Bert Lahr and Dolores Gray, Wonderful Town (won Tony Award as Best Musical, 1953) with Rosalind Russell and Edie Adams, and Bells Are Ringing (Tony Award nominee as Best Musical, 1957) starring their old friend and colleague Judy Holliday. With tunes like Just in Time, Long Before I Knew You, and The Party's Over, this score proved to be among their finest and most popular. A play Say, Darling followed in 1958 and they also furnished the screenplay for the film version of Auntie Mame, and in the same year a revue called A Party with Betty Comden and Adolph Green brought them in person to the Broadway stage doing some of their early sketches. It was a critical and commercial success.
The next decades brought repeated triumphs on Broadway stages: Do Re Mi (Tony Award nominee, Best Musical, 1961), Subways Are For Sleeping (1961), Fade Out - Fade In (1964), Hallelujah, Baby! (Tony Awards winner, Best Composer and Lyricist, and Best Musical, 1968), Applause (Tony Award winner, Best Musical, 1970), Lorelei (1974), On the Twentieth Century (Tony Awards winner, Best Book of a Musical, and Best Original Score, 1978), a staged version of Singin' in the Rain (Tony Award nominee, Best Book of a Musical, 1986), and The Will Rogers Follies (Tony Award winner, Best Original Score, 1991). Among other credits are six songs for Mary Martin's Peter Pan (1954), a modernized Die Fledermaus for the Metropolitan Opera, and stage vehicles for Carol Burnett, Leslie Uggams, and Lauren Bacall. Green's popular-song compositions also include I Get Carried Away; I Can Cook, Too; Some Other Time; Lonely Town; Lucky to Be Me; Bad Timing; Ohio; A Little Bit in Love; It's Love; A Quiet Girl; The French Lesson; If You Hadn't But You Did; Give a Little, Get a Little; There Never Was a Baby Like My Baby; Long Before I Knew You; Never-Never Land; Something's Always Happening on the River; Dance Only With Me; Adventure; Fireworks; Ride Through the Night; Comes Once in a Lifetime; I'm Just Taking My Time; Now; Fade Out - Fade In; and Get Acquainted.
The long career of Betty Comden and Adolph Green was celebrated in 1999 in a two-night series at Carnegie Hall, with performances from their repertoire by Elaine Stritch and Brian Stokes Mitchell. Adolph Green died on October 23, 2002, at age 87 in his home in Manhattan. His memorial in December 2002 was a sad but gala theatrical affair, with performances and tributes by two dozen Broadway stars and friends.
Adolph Green had a six-decade-long creative collaboration with Betty Comden. Together they wrote the scripts, books, and the lyrics for many Broadway shows and Hollywood film musicals. They were paired together longer than any other writing team in the history of Broadway. Green and Comden wrote the books and lyrics for such Broadway hits as On the Town (1944, filmed in 1949), Wonderful Town (1953), Peter Pan (1954), and Bells Are Ringing (1956, filmed in 1960). Their screenplays included those for Singin' in the Rain (1952), which were considered by many film historians as the best movie musical of all time and ranked #10 on the list of the 100 Best American Movies of the 20th Century, the Oscar Awards and Writers Guild Awards-nominated The Band Wagon (1953), and It's Always Fair Weather (1955), Auntie Mame (1958), and the Grammy Award-nominated Bells Are Ringing (1960). Their Broadway stages Do Re Mi (1960), A Doll's Life (1982), and a staged version of Singin' in the Rain (1985) won the Tony Award nominations. Adolph Green has been listed as a noteworthy Playwright, lyricist by Marquis Who's Who.
Quotations:
"You sit down to do a job. By the time it's over if you're lucky, it's been much more than a job. Yes, you've poured a lot of yourself into it, much more than you knew."
Personality
While at school Adolph Green's grades were not outstanding, even though he was an avid reader, a writer of poetry, a music fan, and an enthusiastic thespian.
Connections
Adolph Green was married three times. He married Elizabeth Reitell on June 20, 1941 but divorced in 1942. Green's second wife was Allyn Ann McLerie, and they were married from 1945 till 1953. Then on January 31, 1960, Adolph married an actress Phyllis Newman and remained until Adolph Green died in 2002. They had two children: Adam and Amanda.
1992 - Candide (1991) - Grammy Award, Best Classical Album.
1992 - The Will Rogers Follies (1991) - Grammy Award, Best Musical Show Album.
1992 - Candide (1991) - Grammy Award, Best Classical Album.
1992 - The Will Rogers Follies (1991) - Grammy Award, Best Musical Show Album.
New York Drama Critics' Circle Award,
United States
1953 - Wonderful Town (1953) - New York Drama Critics' Circle Award, Best Musical.
1991 - The Will Rogers Follies (1991) - New York Drama Critics' Circle Award, Best Musical.
1953 - Wonderful Town (1953) - New York Drama Critics' Circle Award, Best Musical.
1991 - The Will Rogers Follies (1991) - New York Drama Critics' Circle Award, Best Musical.
NBR Award,
United States
1995 - National Board of Review Award for Distinction in Screenwriting (together with Betty Comden).
1995 - National Board of Review Award for Distinction in Screenwriting (together with Betty Comden).
1950 - On the Town (1949) - Best Written American Musical.
1953 - Singin' in the Rain (1952) - Best Written American Musical.
1961 - Bells Are Ringing (1960) - Best Written American Musical.
2001 - Laurel Award for Screen Writing Achievement, Writers Guild of America.
1950 - On the Town (1949) - Best Written American Musical.
1953 - Singin' in the Rain (1952) - Best Written American Musical.
1961 - Bells Are Ringing (1960) - Best Written American Musical.
2001 - Laurel Award for Screen Writing Achievement, Writers Guild of America.
American Theatre Hall of Fame,
United States
1981 - Adolph Green was inducted into the American Theatre Hall of Fame.
1981 - Adolph Green was inducted into the American Theatre Hall of Fame.
1968 - Hallelujah, Baby! (1967) - Best Composer and Lyricist.
1978 - On the Twentieth Century (1978) - Best Book of a Musical, Best Original Score.
1991 - The Will Rogers Follies (1991) - Best Original Score.
1968 - Hallelujah, Baby! (1967) - Best Composer and Lyricist.
1978 - On the Twentieth Century (1978) - Best Book of a Musical, Best Original Score.
1991 - The Will Rogers Follies (1991) - Best Original Score.