Background
Pierre Cordier was born on January 28, 1933 in Brussels Hoofdstedelijk Gewest, Belgium. He was the son of Leon and Renee (Philippe) Cordier.
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2007
Pierre Cordier was born on January 28, 1933 in Brussels Hoofdstedelijk Gewest, Belgium. He was the son of Leon and Renee (Philippe) Cordier.
In 1952 Pierre Cordier made an important acquaintance: Georges Brassens, the poet and singer, who was unknown at the time. He recorded and photographed him. Brassens left a deep influence on Cordier and encouraged him to continue exploring the "unfrequented steep road" that he had chosen.
After studying political science at the Université Libre de Bruxelles, Pierre Cordier completed his military service in Germany in 1956. It was there that a new pathway opened up for him: the chemigram.
From the 1960s until the mid-1970s Pierre Cordier continued his experiments: chromatic research (1961), the photo-chemigram (1963), and magical varnish (1972). He also produced some experimental films and became a lecturer at the École nationale des arts visuels in Brussels from 1965 to 1998. At a time when artistic photography was not really accepted in Europe, the exhibition he had (with Denis Brihat and Jean-Pierre Sudre) at the Museum of Modern Art in New York City in 1967 was a major event. The next year he was one of the founders, with Gottfried Jäger, of the Generative Fotografie movement in Germany. His meeting with Aaron Siskind in 1977 was crucial: this great American photographer became his spiritual father and introduced him to many important figures in the New Bauhaus circle of Chicago.
The end of the seventies was an especially fruitful period of exhibits and contacts, and also marked his technical mastery of the chemigram technique. The year 1988 was emblematic of this maturity, with a retrospective of the artist's work at the Museum of Fine Arts of Belgium, Brussels, the creation of a monumental piece for the Brussels subway, and his induction into the Académie royale de Belgique. He resided in the south of France from 1992 to 2007, gathering material for the publication of a monograph which synthesizes fifty years of research. Since its publication in 2007, the Centre Pompidou in Paris and the Victoria & Albert Museum in London have each acquired five chemigrams for their collections. Those at the Victoria and Albert Museum were on view from October 2010 until February 2011.
Arising from hybrid techniques, the work of Pierre Cordier has always been difficult to classify, and raises the question of affiliation from an art-historical point of view. Yet an authentic personal mythology emerges, whose indecipherable language would be key to providing the answer.
On November 10, 1956, writing a dedication with nail polish on photographic paper to a young German woman named Erika, Pierre Cordier discovered what he later called the chemigram. This technique, which "combines the physics of painting (varnish, oil, wax) and the chemistry of photography (photosensitive emulsion, developer, and fixer), without the use of a camera or enlarger, and in full light", became for him a source of experiments and a plastic language. It opened up a new visual space at the boundaries of painting, photography, and writing, allowing him "to create entrancing images impossible to realize by any other means.
