Background
Pierre Gouthiere was born in 1732 at Troyes.
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Pierre Gouthiere
Edit ProfileEducation
Gouthiere went to Paris at an early age as the pupil of Martin Cour.
Career
It was long believed that he received many commissions for furniture from the court of Louis XVI, and especially from Marie Antoinette, but recent searches suggest that his work for the queen was confined to bronzes. Gouthiere can, however, well bear this loss, nor will his reputation suffer should those critics ultimately be justified who believe that many of the furniture mounts attributed to him were from the hand of Thomire. But if he did not work for the court he unquestionably produced many of the most splendid belongings of the due d'Aumont, the duchesse de Mazarin and Mme du Barry. Indeed the custom of the beautiful mistress of Louis XV brought about the financial ruin of the great artist, who accomplished more than any other man for the fame of her chateau of Louveciennes, When the collection of the due d'Aumont was sold by auction in Paris in 1782 so many objects mounted by Gouthiere were bought for Louis XVI and Marie Antoinette that it is not difficult to perceive the basis of the belief that they were actually made for the court. The due's sale catalogue is, however, in existence, with the names of the purchasers and the prices realized. The auction was almost an apotheosis of Gouthiere. The precious lacquer cabinets, the chandeliers and candelabra, the tables and cabinets in marquetry, the columns and vases in porphyry, jasper and choice marbles, the porcelains of China and Japan were nearly all mounted in bronze by him. More than fifty of these pieces bore Gouthiere's signature. The due d'Aumont's cabinet represented the high-water mark of the chaser's art, and the great prices which were paid for Gouthiere's work at this sale are the most conclusive criterion of the value set upon his achievement in his own day.
Not all of Gouthiere's work is of the highest quality, and much of what he executed was from the designs of others. At his best his delicacy, refinement and finish are exceedingly delightful-in his great moments he ranks with the highest alike as artist and as craftsman. The tone of soft dead gold which is found on some of his mounts he is believed to have invented, but indeed the gilding of all his superlative work possesses a remarkable quality. This charm of tone is admirably seen in the bronzes and candelabra which he executed for the chimneypiece of Marie Antoinette's boudoir at Fontainebleau. He continued to embellish Louveciennes for Madame du Barry until the Revolution, and then the guillotine came for her and absolute ruin for him. When her property was seizedshe owed him 756, 000 livres, of which he never received a sol, despite repeated applications to the administrators.
Achievements
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During his brilliant career he executed a vast quantity of metal work of the utmost variety, the best of which was unsurpassed by any of his rivals in that great art period. The finest and most representative gathering of Gouthiere's undoubted work are in the Wallace Collection now. The mounts of gilt bronze, cast and elaborately chased, show satyrs' heads, from which hang festoons of vine leaves, while within the feet a serpent is coiled to spring. A smaller cup is one of the treasures of the Louvre.
