Background
Ree Morton was born on August 3, 1936 in Ossining (town), New New York
Ree Morton was born on August 3, 1936 in Ossining (town), New New York
In 1968 she received her Bachelor of Fine Arts from the University of Rhode Island, Kingston.
She taught at the Philadelphia College of Artist Morton worked in a variety of mediums including sculpture, drawing and installation art She began her full-time artistic career at a relatively later age, when she was 30, after already having become a Navy wife, mother of three, and homemaker.
Morton deployed "confrontational innocence" as described by art historian, Lucy Lippard and humor in her sculptures that referenced everyday decorative forms such as curtains, ruffles and swags.
Morton herself described her work as "light and ironic on serious subjects without frivolity." Curator Marcia Tucker describes Morton"s work as "unusual in its totality. lieutenant incorporates painting, sculpture, real and crafted objects, natural and artificial materials.
The work is intelligent without being intellectual, narrative without being literary and ironic without being whimsical. Its multiplicity, contradictory and slightly perverse nature, its response to natural forms and its sources in primitive human phenomena result in a unique sculptural mode.
Morton"s art also frequently combined her love of poetry and semiotics.
She made many text-based works in crayon and pencil. She also kept a quote by the author Thomas Stearns Eliot over her desk, which was later used as the title of her retrospective. During her lifetime, she mostly received attention for her sculptural work.
On April 30, 1977, at the age of 40, Morton died in a car accident in Chicago, Illinois.
Ree Morton is being "re-discovered" and added to the canon of art history. In 1980 the New Museum in New York City presented Ree Morton: Retrospective 1971 - 1977, organized by Alan Schwartzman and Kathleen Thomas.
The exhibition traveled to the Renaissance Society at the University of Chicago, Albright-Knox Art Gallery (Buffalo, New York), University of Colorado Museum (Boulder), and to the Contemporary Arts Museum Houston. Morton’s sketchbooks and notebooks have also become a source of inspiration and subject of exhibition.
In 2000, the Robert Hull Fleming Museum at the University of Vermont hosted an exhibition titled,The Mating Habits of Lincolnshire: Sketchbooks and Notebooks of Ree Morton.
The exhibition also traveled to the Rosenwald Wolf Gallery at the University of the Arts in Philadelphia Pennsylvania. Other notable exhibitions were at the Whitney Museum of American Art, the South Street Seaport, and her work was included in WACK! Art and the Feminist Revolution at the Museum of Contemporary Art, Los Los Angeles Her work was included in the 2007 traveling exhibition "High Times, Hard Times: New York Painting 1967 - 1975" that included the venues: the National Academy Museum, New New York
An extensive exhibition of her work was displayed at the Generali Foundation in Vienna, Austria.
In 2015 the Museo Nacional Centro de Arte Reina Sofía presented the first major retrospective of Morton"s work since 1980 called Ree Morton: Be a Place, Place an Image, Imagine a Poem. Museum of Modern Art, New York
Whitney Museum of American Art, New York
Art Institute of Chicago
Brooklyn Museum
Los Angeles County Museum of Artist