He completed public and private commissions and participated in group and solo exhibitions in Rome, New York, and California. He studied at Cooper Union Art School, New York, where he took courses with Milton Hebald, John Hovannes, George Kratina and Leo Amino.
He was an instructor of sculpture at California State University, Long Beach from 1964 to 1999, greatly influencing sculpture and public art especially in the Los Angeles and Orange County areas in addition to the art students who came to study with him from throughout the United States and abroad. Early Years: Werlick grew up in the Bronx. He earned an Master of Fine Arts in Sculpture from Tulane University’s Newcomb Art School, studying with George Rickey.
He received a Fulbright Fellowship, 1956–1958, to Munich, Germany, where he studied sculpture and bronze casting with Heinrich Kirchner.
His earlier work celebrates societal human conditions as depicted in monument-like groupings of figures interacting with and through various angled planes. The feminine form is celebrated in his classical bronze figures, portraits and reliefs.
The FINA sculpture is in the Fort Lauderdale Sports Hall of Fame. In his later years his work took on more whimsical, spontaneous and expressive forms.
Adding to his extensive body of work are his transformations of wood into “tools”, undulating pieces that are wonderful to behold and touch.
Werlick also was awarded the Rome Prize 1961–1964, to the American Academy in Rome, Italy. His mid-career brought several commissions, among them the FINA Prize Sculpture for the Munich Olympics and World Swimming Competitions, a commission for a Holocaust memorial for Temple Judea in Southern California, a Processional Cross for the Loyola Marymount University Chapel, a bronze crucifix and candelabra for Saint Joseph’s Cathedral in Los Los Angeles
