Background
Landauer, Susan E. was born on July 31, 1958 in Oakland, California, United States.
( As E. H. Gombrich once observed, the still life is comp...)
As E. H. Gombrich once observed, the still life is compelled to challenge and at the same time perpetuate tradition. Without the elements of recognition and comparison, and the discovery of the familiar in the unfamiliar, the genre would lose most of its meaning. This lavishly illustrated volume documents the extraordinary challenges that artists in California have brought to the tradition of the still life as they have transformed and revitalized the genre over the course of the last century. In abundantly illustrated essays, as entertaining as they are informative, The Not-So-Still Life traces the great variety of media and forms these artists have engaged as they have moved the still life not just off the table, but off the wall and into three dimensions. Susan Landauer, William H. Gerdts, and Patricia Trenton investigate a range of forces and influences—whether historical, sociological, economic, psychological, or biographical—that have played into this evolution, from the plein-air Impressionism of the early twentieth century to the Synchromist bouquets of Stanton Macdonald-Wright, the revolving table settings of Charles Ray, and the electronic sculptures of Alan Rath. In doing so they deepen our understanding of American art over the last century. Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre.
http://www.amazon.com/gp/product/0520239385/?tag=2022091-20
( The years around the turn of the century were a dynamic...)
The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California. American Impressionism grew in popularity as artists from across the nation migrated to the Golden State. There they created a remarkable style, often referred to as California plein-air painting, combining several aspects of American and European art and capturing the brilliant mix of color and light that defined California. This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression. A joint effort of The Irvine Museum and the Georgia Museum of Art, it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase. The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia. Beautifully illustrated, with 72 full-color plates, California Impressionists recreates the vibrant splendor of a unique period in American art.
http://www.amazon.com/gp/product/0915977257/?tag=2022091-20
Landauer, Susan E. was born on July 31, 1958 in Oakland, California, United States.
Bachelor, University California, Berkeley, 1982. Master of Arts in History of Art, Yale University, 1984. Doctor of Philosophy in History of Art, Yale University, 1992.
Indiana curator/author, 1992—1996. Assistant curator Los Angeles County Museum, Los Angeles, 1996. Founding co-director San Francisco Center for the Book, 1996—1997.
Katie and Drew Gibson chief curator San Jose Museum of Art, California, since 1999.
( The years around the turn of the century were a dynamic...)
( As E. H. Gombrich once observed, the still life is comp...)