Education
One of four daughters of a liberal intellectual Hungarian family, Suzanne Balkanyi studied at the École Nationale Supérieure des Beaux-Arts Paris.
One of four daughters of a liberal intellectual Hungarian family, Suzanne Balkanyi studied at the École Nationale Supérieure des Beaux-Arts Paris.
After narrowly escaping transportation to Auschwitz in 1944, she left Hungary in 1947 to live in Paris, where she worked until her death. The earliest known reference to Balkanyi as an artist, refers to her exhibiting at the Jewish Students Union in Paris in December 1948. While working as an illustrator in the Ménagerie du Jardin des Plantes in Paris, she continued to develop her own work, commenting wryly on Paris life in drawing, etchings, woodblocks and other print techniques.
In the 1950s, she began to travel to Provence, and the little seaports of Brittany and Normandy.
Later travels took her to Italy (Perugia, Venice and Sienna), the Netherlands, Spain (Toledo), Israel, Morocco and Senegal. At her first one-woman show in 1966, she was recognised as "a printmaker of real and considerable quality" by the French artist Dunoyer de Segonzac ("Son sens du ridicule révèle une sensibilité et une humanité très originale et sa technique d’aquafortiste d’une rare spontanéité qui touche à la naïveté, d’une réele et très grande qualité").
In London her work has been shown posthumously at the Abbott and Holder Gallery. Public collections holding her work include those of the City of Paris (Un arrêt d’autobus), the Musée du Louvre Print Collection (Deux vieilles femmes, Lourmarin, Salon de couture, Vue de Lourmarin ), the Zurich Kunsthaus, the Musée de Beaux-Arts de Belfort, the Victoria and Albert Museum, and The British Museum (Louisiana Rotisserie).
Her images have been published in: Acceuil de Paris, Le Trait, Louisiana Pointe et Burin and Louisiana Gravure Originale.
