Education
Columbia University.
( Whether addressing HIV/AIDS, the policing of bathroom s...)
Whether addressing HIV/AIDS, the policing of bathroom sex, censorship, or anti-globalization movements, John Greyson has imbued his work with cutting humour, eroticism, and postmodern aesthetics. Mashing up high art, opera, community activism, and pop culture, Greyson challenges his audience to consider new ways that images can intervene in both political and public spheres. Emerging on the Toronto scene in the late 1970s, Greyson has produced an eclectic, provocative, and award-winning body of work in film and video. The essays in The Perils of Pedagogy range from personal meditations to provocative textual readings to studies of the historical contexts in which the artist's works intervened politically as well as artistically. Notable writers from a range of disciplines as well as prominent experimental and activist filmmakers tackle questions of documentary ethics, moving image activism, and queer coalitional politics raised by Greyson's work. Close to one hundred frame captures and stills from almost sixty works, along with articles, speeches, and short scripts by Greyson - several never before published - supplement the collection. Celebrating thirty years of passionate, brilliant, and affecting moviemaking, The Perils of Pedagogy will fascinate both specialists and general readers interested in media activism and advocacy, censorship, and freedom of expression.
http://www.amazon.com/gp/product/0773541446/?tag=2022091-20
( Pioneering participatory, social change-oriented media,...)
Pioneering participatory, social change-oriented media, the program had a national and international impact on documentary film-making, yet this is the first comprehensive history and analysis of its work. The volume's contributors study dozens of films produced by the program, their themes, aesthetics, and politics, and evaluate their legacy and the program's place in Canadian, Québécois, and world cinema. An informative and nuanced look at a cinematic movement, Challenge for Change reemphasizes not just the importance of the NFB and its programs but also the role documentaries can play in improving the world.
http://www.amazon.com/gp/product/0773536639/?tag=2022091-20
( When originally published by Greenleaf Editions in 1972...)
When originally published by Greenleaf Editions in 1972, A Historic Collection of Gay Art was the first book of its kind to document expressions of gay male sexuality as depicted in visual art, from antiquity to pop culture. Its frank and unapologetic survey of the pleasures of the flesh was, for gay men, unprecedented, and it remains the starting-point for modern-day discussions of erotic gay male artwork and comics. This new edition has been updated by the original author, Felix Lance Falkon, and Thomas Waugh, author of the similarly themed bestsellers Out/Lines and Lust Unearthed. It features erotic line drawings and other artwork from ancient Greece to 1970s America, by artists both anonymous and infamous (including Tom of Finland, Graewolf, Blade, and Aubrey Beardsley), as well as an insightful narrative that provides a fascinating historical context for these images, including their production and dissemination. Gay Art also provides a modern-day discussion about pleasure and permission: questions about how we define erotic imagery and what we should and should not be allowed to see. Subversive, smart, and sexy, Gay Art takes erotic images from the past out of the closet and into the light of present day.
http://www.amazon.com/gp/product/1551522055/?tag=2022091-20
( The Right to Play Oneself collects for the first time T...)
The Right to Play Oneself collects for the first time Thomas Waugh’s essays on the politics, history, and aesthetics of documentary film, written between 1974 and 2008. The title, inspired by Walter Benjamin’s and Joris Ivens’s manifestos of “committed” documentary from the 19 0s, reflects the book’s theme of the political potential of documentary for representing the democratic performance of citizens and artists. Waugh analyzes an eclectic international selection of films and issues from the 1920s to the present day. The essays provide a transcultural focus, moving from documentaries of the industrialized societies of North America and Europe to those of 1980s India and addressing such canonical directors as Dziga Vertov, Emile de Antonio, Barbara Hammer, Rosa von Praunheim, and Anand Patwardhan. Woven through the volume is the relationship of the documentary with the history of the Left, including discussions of LGBT documentary pioneers and the firebrand collectives that changed the history of documentary, such as Challenge for Change and ACT UP’s Women’s Collective. Together with the introduction by the author, Waugh’s essays advance a defiantly and persuasively personal point of view on the history and significance of documentary film.
http://www.amazon.com/gp/product/0816645876/?tag=2022091-20
( For more than twenty years, film critic, teacher, activ...)
For more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine—a collection of Waugh’s reviews and articles originally published in gay community tabloids, academic journals, and anthologies—charts the emergence and maturation of Waugh’s critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking. In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky’s and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence.
http://www.amazon.com/gp/product/0822324687/?tag=2022091-20
( A Queer Film Classic: this brilliant 1974 Canadian cine...)
A Queer Film Classic: this brilliant 1974 Canadian cinema verité film, set in Montreal's bohemian neighborhood "The Main" and hailed at its Whitney Museum debut, is a fascinating take on social mores and relationships in the 1970s and a twentysomething photographer's attraction for the teenaged son of acquaintances.
http://www.amazon.com/gp/product/1551523647/?tag=2022091-20
( On the heels of his bestselling and award-winning book ...)
On the heels of his bestselling and award-winning book Out/Lines: Underground Gay Graphics From Before Stonewall, Thomas Waugh offers more historic and erotically charged drawings, depicting aspects of gay male sexuality that were once hidden from public view. The more than 200, never-before-published images in Lust Unearthed are from the private collection of Ambrose DuBek, a Hollywood costume and set designer (his work included George Cukor’s 1939 film The Women) who died in 2002 at the age of 87, and whose estate included a wealth of erotic materials, including books, periodicals, prints, and films. DuBek was a passionate advocate and patron of the arts who felt that life and the body were to be celebrated; he had no patience for other people’s attempts to make him feel guilty for his attractions and desires, nor any qualms about the different worlds in which he operated. The images from DuBek’s collection published here are remarkably frank and explicit depictions of gay men “in action” created by numerous artists both famous and unknown, and produced during a time when even nude images of men were illegal, and thus rare. Lust Unearthed brings these images out of the boxes in which they were carefully kept and into the light of present-day, where expressions of gay male sexuality can be validated and indeed, celebrated. Waugh’s text is a remarkable history lesson that illuminates a once-furtive underground culture. Gay porn for the thinking man, Lust Unearthed will beguile and arouse. Features an introduction by Willie Walker, the founding archivist at the Gay, Lesbian, Bisexual and Transgender History Society in San Francisco, where DuBek’s erotic materials were donated. Thomas Waugh is the author of the Lambda Literary Award shortlisted Out/Lines and Hard to Imagine: Gay Male Eroticism in Photography and Film from their Beginnings to Stonewall. He is a professor of film studies and director of the Programme in Interdisciplinary Studies in Sexuality at Concordia University in Montreal.
http://www.amazon.com/gp/product/1551521652/?tag=2022091-20
(This anthology of 25 articles is both historical and cros...)
This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'
http://www.amazon.com/gp/product/0810817063/?tag=2022091-20
activist critic programmer author academic
Columbia University.
A professor at Concordia University, he teaches in the department of film studies and holds a research chair in documentary film and sexual representation. A graduate of Columbia University, he wrote film criticism and history articles for publications such as Jump Cut and The Body Politic before publishing his first book, Show Us Life: Towards a History and Aesthetics of the Committed Documentary, in 1984. His 1996 book, Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall, took 13 years to research and write.
Its release was delayed eight full months after its initial planned publication date, due to difficulty finding a printer willing to handle the book"s sexually explicit homoerotic imagery.
Waugh has also served on the board of Cinema Politica, has been active with the Quebec Gay Archives, and is coeditor with Matthew Hays of the Queer Film Classics series of monographs on LGBT film, published by Arsenal Pulp Press. In 2013 Waugh, Ryan Conrad and Cinema Politica raised funds on Indiegogo to produce and distribute a documentary film about the Russian LGBT organization Children-404.
In 2015, Waugh and filmmaker Kim Simard launched the Queer Media Database, an online project to collect and publish information about LGBT films made in Canada and the personalities involved in their creation. The project was based in part on his 2006 book The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas.
(This anthology of 25 articles is both historical and cros...)
( A Queer Film Classic: this brilliant 1974 Canadian cine...)
( On the heels of his bestselling and award-winning book ...)
( When originally published by Greenleaf Editions in 1972...)
( Pioneering participatory, social change-oriented media,...)
( Whether addressing HIV/AIDS, the policing of bathroom s...)
( The Right to Play Oneself collects for the first time T...)
( For more than twenty years, film critic, teacher, activ...)
(Will be shipped from US. Brand new copy.)