He has arguably been the most esteemed Chinese calligrapher during and after the Tang Dynasty, and a master of all forms of Chinese calligraphy, especially the running script. In addition to the esteem in which he is held in China, he has been and remains influential in Japanese calligraphy. Born in Linyi, Shandong, Wang spent most of his life in present-day Shaoxing, Zhejiang and Wenzhou.
He learned the art of calligraphy from Lady Wei Shuo.
He excelled in every script but particularly in semi-cursive script. Unfortunately, none of his original works remains today.
His most famous work is the Preface to the Poems Composed at the Orchid Pavilion, the introduction to a collection of poems written by a number of poets during a gathering at Lanting near the town of Shaoxing for the Spring Purification Festival. The original is lost, but the work survives in a number of finely traced copies, with the earliest and most well regarded copy being the one made between c.
627-650 by Feng Chengsu, and it is located in the Palace Museum in Beijing.
Wang Xizhi is particularly remembered for one of his hobbies, that of rearing geese. Legend has it that he learned that the key to how to turn his wrist whilst writing was to observe how geese moved their necks. There is a small porcelain cup depicting Wang Xizhi "walking geese" in the China Gallery of the Asian Civilisations Museum in Singapore.
The other side of the cup depicts a scholar "taking a zither to a friend".
Wang Xizhi had seven children, all of whom were notable calligraphers. In 2010, a small Tang reproduction of one of Wang"s calligraphy scrolls on silk with four lines was sold in China at an auction for ¥308 million RMB ($48 million).