Background
William Cliffton was born of Quaker stock in 1772 at Philadelphia, Pennsylvania, United States. His father was a “wealthy mechanic” of Southwark who perhaps had an interest in shipbuilding.
(The 18th century was a wealth of knowledge, exploration a...)
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) W023153 A satire on the Board of Commissioners of the District of Southwark, and in support of Jay's treaty. Attributed to Cliffton by Evans. Frontispiece portrait of Solon Verges, a character in the satire. "Key-plate to the group."--p. 3. the Library of Congress and New York Public Library copies include manuscript clefs of the characters. "Errata."--p. 36. Philadelphia : Printed for Thomas Stephens, by Lang and Ustick, M.DCC.XCVI. 1796. 35, 1 p., 1 leaf of plates : 1 port. ; 4°
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(Excerpt from Poems, Chiefly Occasional, by the Late Mr. C...)
Excerpt from Poems, Chiefly Occasional, by the Late Mr. Cliffton: To Which Are Prefixed, Introductory Notices of the Life, Character and Writings, of the Author, and an Engraved Likeness Quis desiderio sit pudo? F zt modu's 'am cari capitis Pmcnpc lugubres Camus, Melpomene, cm lxquidam pater Vocem cum Cithara dcdnt. Ergo Qm'ulilim perpetuus sopor Urgel? Cui Pudor, ct jusritia: soror Incorrupta Fides, nudaque Veritas, uando ullum invcmcnt Parcm h'inltis ilie bani: flcbilis occndit Nulli flcbilior quam tibi, Virgili. Durum sed levius fit paticmia Quicquid corrigere est nefas. New-york printed for J. W. Fenno, BY 0. St a. Navy? Wiscoaff' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Baviad, And Mæviad reprint William Gifford, William Cliffton Printed, 1799 Literary Criticism; European; English, Irish, Scottish, Welsh; Della Cruscans (English writers); Literary Criticism / Ancient & Classical; Literary Criticism / European / English, Irish, Scottish, Welsh
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William Cliffton was born of Quaker stock in 1772 at Philadelphia, Pennsylvania, United States. His father was a “wealthy mechanic” of Southwark who perhaps had an interest in shipbuilding.
Cliffton was well educated, but of delicate frame, and the rupture of a blood-vessel at the age of nineteen caused him to abandon hopes of an active commercial career. Possessed of a competency, he seems to have devoted the rest of his brief life to literary and social pursuits. Possessed of a competency, he seems to have devoted the rest of his brief life to literary and social pursuits. Though living a retired life, Cliffton could not escape the political excitement of his times, and sided naturally enough with the more conservative party in Pennsylvania, which supported Washington, and favored the mother-country England in her struggle with regicide, Jacobin, and free- thinking France. When the more radical politicians were urging the United States to join France against Great Britain, Cliffton was a member of the Anchor Club, a small band of literary gentlemen who met for social purposes and to advocate war with France. For this body he wrote some prose papers upon the necessity of an established American navy and “Some Account of a Manuscript entitled Talleyrand’s Descent into Hell”—a mixture of prose and verse, which pictures the pains of the revolutionary leaders in the next world, and the happiness of the martyr Louis XVI in Elysium. The Anchor Club soon dissolved.
Cliffton wrote other poems—chief among them The Group (1796). It is a savage attack on Gallatin, containing much of the wit and coarseness to he expected in a follower of Pope and Churchill. “Rhapsody on the Times” recounts the adventures of an Irish agitator who is kicked into the water for his pains in pointing out the faults of America to some citizens—all showing the influence of Peter Pindar’s Odes and the poetry of the Anti-Jacobin. “The Chimeriad” is a satire on the ideal republics, so pleasing in the books of philosophers, that they have been happily left there.
“The Address of the Devil to the United Irishmen, ” and their “Reply, ” poems first printed in the Philadelphia Gazette of the United States, wittily parody the style of councils with the Indians—instead of belts of wampum the chieftain of Hell and his earthly followers exchange halters, and “strings of lies and blasphemies. ”
Upon Lord Nelson’s victory of the Nile, Cliffton wrote a “Song” to the “hearts of oak, ” to be sung at a Philadelphia festival. It shows considerable lyric gift, as does the warlike “Soul of Columbia. ” For the Philadelphia edition of William Gifford’s Baviad and Maeviad, Cliffton wrote an introductory “Epistle” to the critic author, a piece showing his poetic gifts of smooth and forceful verse at their best. It is dated May 13, 1799.
In December Cliffton died at the age of twenty- seven. A collected volume of Poems, Chiefly Occasional, was printed at New York the next year.
Cliffton had more feeling, more quality than any other American writer of his day and though inferior in genius to Drake and E. C. Pinkney, he ranks with them among the chief losses to American literature by early death. Among his most famouse works was his poem The Group, which was published as a pamphlet at Philadelphia in 1796.
(The 18th century was a wealth of knowledge, exploration a...)
(Excerpt from Poems, Chiefly Occasional, by the Late Mr. C...)
(This is a reproduction of a book published before 1923. T...)
Cliffton was the member of the Anchor Club.
Cliffton was a skilled musician, and an accomplished painter. He was of medium height, well-proportioned, his eye was animated, and his face handsome.