(This scarce antiquarian book is a facsimile reprint of th...)
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Democratick Editorials (Essays in Jacksonian Political Economy)
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William Leggett (1801–1839) was the intellectual leader...)
William Leggett (1801–1839) was the intellectual leader of the laissez-faire wing of Jacksonian democracy. His diverse writings applied the principle of equal rights to liberty and property. These editorials maintain a historical and contemporary relevance.
Lawrence H. White is Professor of Economics at the University of Georgia.
A Collection of the Political Writings of William Leggett: Selected and Arranged with a Preface by Theodore Sedgwick, Jr, Volumes 1-2
(This book was originally published prior to 1923, and rep...)
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(Excerpt from Naval Stories
The crew were disposed in var...)
Excerpt from Naval Stories
The crew were disposed in variousgroups about the deck, some idling away in listless ease the inter val of calm; some, with their clothes-bags beside them, turning it to account in overhauling their dun nage; while others moved fidgety about, on the forecastle and in the waist, eyeing, ever and anon, the horizon round, as-if already weary of their short holiday on the ocean, and impatiently watching for some sign of a breeze. To a true sailor there are few circumstances more annoying than a perfect calm. The same principle of our nature which makes the traveller on land, though journeying with. Out any definite object, desire the postilion to whip up his horses and hasten to the end of his stage, is rrrariifestetl in a striking degree an r 1g seamen. The end of one voyage is but the beginning of another, and their life is a constant succession of hard ships and perils; yet thev cannot abide that the elements should grant them a moment's respite. As the wind dies away their spirits flag; they move heavily and sluggishly about while the calm con tinnes; but rouse at the first whisper of the breeze, and are never gayer or more' animated than when their canvass swells out to its utmost tension in the gale.
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(Excerpt from Tales and Sketches
His wife seemed six or s...)
Excerpt from Tales and Sketches
His wife seemed six or seven years himself, and exhibited a combination 0 that are rarely found united in a single individual. In stature she was of the middling size, and her. Form had been moulded with faultless symmetry. Her eyes were black as the sloe, and were s adapted to the expression of every variety of Her 'coma plexion, though sli tly browned by exposure to the sun, was clear an transparent; and the rich blood that mantled in her cheeks, imparted to them a hue that outvied that of the roses (in her garden.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Leisure Hours at Sea: Being a Few Miscellaneous Poems
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William Leggett was an American poet, fiction writer, and journalist. He was an editor of such periodicals as "Critic", "New York Evening Post", "Plaindealer" and "Examiner".
Background
William Leggett descended from Gabriel Leggett, an emigrant from Essex, England, who settled in Westchester County, New York, about 1675. William was born in New York City, son of Abraham Leggett, an officer in the Revolution, and his second wife, Catherine Wylie of New Rochelle.
Education
He attended Georgetown College for a time, but did not graduate.
Career
In 1819 Leggett went with his parents to Illinois, where he lived a pioneer's life until his appointment as midshipman in the navy, December 4, 1822. In May following, assigned to the Cyane, he sailed for the Mediterranean, but in 1825 he was court-martialed for a dueling affair with another midshipman at Port Mahon, was sent home, and on April 17, 1826, threw up his commission. His faults were chiefly hot temper and a witty, unruly tongue--one offense was quoting passages of Shakespeare "of highly inflammatory, rancorous, and threatening import" against his captain, John Orde Creighton. His defense is an able, entertaining document.
He had published some youthful verse, Leisure Hours at Sea (1825), and now took up journalistic writing in New York. He published a second volume of poems, Journals of the Ocean, in 1826, and Tales and Sketches, by a Country Schoolmaster in 1829; contributed "The Blockhouse" to Tales of Glauber Spa in 1832; and wrote constantly for the New-York Mirror and other periodicals.
In 1828 he established a weekly, the Critic, most of which he wrote himself and which lasted only ten months. In 1829 he became part owner and assistant editor, under William Cullen Bryant, of the Evening Post. Whittier's poem, "To a Poetical Trio in New York", was an appeal to Bryant, Leggett, and James Lawson, another New York editor, to give up vain political debates and devote themselves to the anti-slavery cause. From June 1834 to October 1835, during Bryant's absence abroad Leggett was chief editor. He was more fluent and more of a theorist than Bryant.
Though at first he had disclaimed interest in politics, he now entered warmly into political issues, adopting strong Jacksonian principles. From opposing the United States Bank he advanced to denunciation of the state banks as the worst examples of chartered monopolies and special privilege. He advocated broad suffrage and free trade. Soon he had become the oracle of the radical Democrats whose extreme wing seceded to form the Equal Rights or Locofoco party in 1835. In that year, though not yet a thoroughgoing abolitionist, he hotly attacked the administration for excluding anti-slavery propaganda from the mails, and denounced the mobs that broke up abolitionist meetings in New York. His chief characteristics as a writer were energy and absolute independence; his chief defect was violence. Combative from his backwoods and naval antecedents, he was responsible for Bryant's attempt to horsewhip Sands, editor of the Commercial, and later challenged Sands to a duel. This was not fought, but he had a duel with an Englishman named Banks, treasurer of the Park Theatre. Convivial in tastes, he was prominent in New York social and literary life.
His severe illness in the winter of 1835-1836 hastened Bryant's return from Europe, and about October 1836, he left the Evening Post. From December of that year to September 1837, he edited the Plaindealer, in which, free from the restrictions imposed by his more conservative chief on the Post, he continued to attack political and economic abuses and to advocate free trade, direct taxation, and the right of workingmen to organize. He also advanced from the defense of the abolitionists' right of free speech to support of their attacks on slavery. The journal was influential in shaping Democratic policies, and was fairly successful till the failure of its publishers.
During part of this time Leggett also edited a daily, the Examiner. "How he finds time to write so much, " remarked Bryant, "I know not. " In 1838 he nearly secured a Democratic nomination for Congress, but, having declared himself an abolitionist and refusing to modify his declaration, he was rejected for a less radical candidate. The next year Van Buren appointed him diplomatic agent to Guatemala, his friends hoping the climate might benefit his health, but he died before sailing for the post. Though Tammany, during his attacks on the administration in 1835, had abjured Leggett and disclaimed the Post as a party organ, the Tammany Young Men's General Committee erected the monument over his grave in Trinity (Episcopal) Church Cemetery, New Rochelle. Whittier refers to this episode in his poem, "Leggett's Monument. " Theodore Sedgwick, Jr. , his friend, published in two volumes A Collection of the Political Writings of William Leggett (1840), remarked upon at the time as the first American attempt to establish the standing of a writer on the basis of journalistic work.
Achievements
William Leggett has been listed as a noteworthy journalist by Marquis Who's Who.