Background
Noble, William Parker was born on January 25, 1932 in New York City. Son of William Parker and Ethel Kathryn (Karsch) Noble.
("Why does nonfiction have to be boring," he sniveled. "It...)
"Why does nonfiction have to be boring," he sniveled. "It doesn't," she replied cheeringly. "Haven't you ever read anything by Gay Talese, Tom Wolfe, John McPhee, Joan Didion, Norman Mailer, Mark Bowden, Laura Hillenbrand, or Sebastian Junger-just to name a few?" "No," he said popping open another long-neck Bud. "That explains a lot," she said. Dramatic nonfiction-the relating of factual information in a manner that makes it as gripping as fiction-is the thrust of Writing Dramatic Nonfiction by longtime editor-author William Noble. Using the techniques and guidelines offered in this book, you will learn to create nonfiction works that rise to the level of great literature without sacrificing credibility. Dramatic techniques such as flashbacks, foreshadowing, building tension and suspense, character development, and scene intercuts are described in plain words along with instruction on how you can use such devices in your own writing. Dramatic or creative nonfiction, sometimes called narrative nonfiction, is now an important part of the literary landscape. In this useful, nay, essential guide, Noble teaches you how to craft riveting true accounts. ----- William Noble's books are a popular staple in the writer's personal library. I revisited his book "Writing Dramatic Nonfiction" to get some fresh ideas for adding dramatic techniques to a nonfiction project I am presently involved in. I found valuable pointers on basic development skills including: conflict and character development, anecdotes, using dialog, and point of view. His illustrations and examples are helpful. The book is filled with basic information for the beginning writer and a well organized reminder for those seasoned writers looking for motivation and inspiration. Although the book was first written in the year 2000 the principles are as applicable today as when they were first written. -Richard R. Blake, author and Co-Founder of Christian Education Resources
http://www.amazon.com/gp/product/1618090216/?tag=2022091-20
("The locale of your story is the picture frame within whi...)
"The locale of your story is the picture frame within which you weave the action." -William Noble Ever read a novel and years later be able to recall the feeling of place you got as the words flowed into your head? That's what great writers, both fiction and nonfiction can do. That's what you can do. Make That Scene will show you how. Using scores of examples of great writing, longtime editor-author William Noble discusses the influence mood, setting, and atmosphere have on your characters; the mixing and matching of settings; setting as a plot limitation; and when the setting itself becomes a major character. Learn: • the value of an imperfect memory • how much research to conduct • how to use sensory images • how many details to include • how to use time, dialogue, and point of view to establish your setting • oodles more. Make That Scene is an essential guide to enriching your writing.
http://www.amazon.com/gp/product/1618090186/?tag=2022091-20
(The Watergate burglary in 1972, in which men linked to th...)
The Watergate burglary in 1972, in which men linked to the White House broke into the headquarters of the Democratic Party, led to the downfall of President Richard Nixon. Author William Noble tells this fascinating and dramatic story, explaining the complex political and legal points, and contrasts real events with ALL THE PRESIDENT'S MEN, the popular movie made about the break-in and investigation.
http://www.amazon.com/gp/product/076603058X/?tag=2022091-20
(In this one volume are personal selections by the author ...)
In this one volume are personal selections by the author from his three classics, Steal this Plot!; Make That Scene; and "Shut up!" He Explained. Selecting parts of three of his previous books to guide you though the art of writing a novel, William Noble starts by asking three questions: • What's happening? • Who am I? • Where am I? and then uses the answers to create a solid foundation for developing a story. With this structure in place, he demonstrates how to move on to motivating the story, establishing a sense of place, and creating tension. Noble has added new material on developing characters and using point of view to help you get your story across. "The 'what' section, dealing with plot motivators and 'story spicers' and comprising a third of the book, is worth the price alone." -From an Amazon.com review
http://www.amazon.com/gp/product/0981890830/?tag=2022091-20
(This book is not about cemeteries. Nor is it a mystery-su...)
This book is not about cemeteries. Nor is it a mystery-suspense story. It is about writing-the craft of writing and telling a tale. It is about how to use other people's stories, and what we are allowed to do with them. The plot of any story is the key. The plot is the story within the story that propels the action and develops the tale. In Hamlet, for instance, the story deals with who will be the rightful king of Denmark, but the plot is concerned with revenge and ambition. The plot is the nucleus of the action, and it is here that the writer must look to form his efforts. In Part One, the authors deal in depth with the structuring and "spicing" of the story. In Part Two, using classic and modern examples they outline 13 common plot movers: Vengeance Catastrophe Love and Hate The Chase Grief and Loss Rebellion Betrayal Persecution Self-Sacrifice Survival Rivalry Discovery (Quest) Ambition showing you how weave it all together in a tapestry of words rich and satisfying to the reader. Worried you'll go too far in your plot thievery? A thorough look at plagiarism and copyright is also included.
http://www.amazon.com/gp/product/B00F3ZD4GO/?tag=2022091-20
(This book is not about cemeteries. Nor is it a mystery-su...)
This book is not about cemeteries. Nor is it a mystery-suspense story. It is about writing-the craft of writing and telling a tale. It is about how to use other people's stories, and what we are allowed to do with them. The plot of any story is the key. The plot is the story within the story that propels the action and develops the tale. In Hamlet, for instance, the story deals with who will be the rightful king of Denmark, but the plot is concerned with revenge and ambition. The plot is the nucleus of the action, and it is here that the writer must look to form his efforts. In Part One, the authors deal in depth with the structuring and "spicing" of the story. In Part Two, using classic and modern examples they outline 13 common plot movers: Vengeance Catastrophe Love and Hate The Chase Grief and Loss Rebellion Betrayal Persecution Self-Sacrifice Survival Rivalry Discovery (Quest) Ambition showing you how weave it all together in a tapestry of words rich and satisfying to the reader. Worried you'll go too far in your plot thievery? A thorough look at plagiarism and copyright is also included.
http://www.amazon.com/gp/product/1618090135/?tag=2022091-20
( This inside look at the The Nutcracker combines both th...)
This inside look at the The Nutcracker combines both the story and insights into the performance, creating a rich complement to the classic ballet. Abundant illustrations and elaborate explanations of each character, from the Nutcracker Prince to Mother Ginger, provides an invaluable supplement to the ballet experience. The story behind Tchaikovsky's famous score and the elements of a quality performance are explained. The trials of auditioning and training are chronicled with the testimony of professional dancers, artistic directors, and choreographers who have been part of successful productions.
http://www.amazon.com/gp/product/0871272644/?tag=2022091-20
Noble, William Parker was born on January 25, 1932 in New York City. Son of William Parker and Ethel Kathryn (Karsch) Noble.
Bachelor, Lehigh University, 1954; Juris Doctor, University of Pennsylvania, 1961.
Production assistant Columbia Broadcasting Systems, New York City, 1958. Attorney Townsend, Elliott & Munson, Philadelphia, 1961-1962. Corporation attorney Armstrong World Industries, Lancaster, Pennsylvania, 1962-1968.
Director model cities program City of Lancaster, 1968-1969. Freelance writer, lecturer and consultant Salisbury, Vermont, since 1969. Instructor creative and fiction writing Community College of Vermont, Rutland, since 1986.
Vermont humanities scholar Vermont Council on Humanities, Morrisville, 1991—2001. Writing assessment mentor Community College Vermont, Rutland, 1993-1999. Lecturer and instructor literature and mystery writing Ocean County College, New Jersey, 1999-2001.
Lecturer nonfiction and creative writing Georgian Court University, Lakewood, New Jersey, since 2002.
(The Watergate burglary in 1972, in which men linked to th...)
( This inside look at the The Nutcracker combines both th...)
(In this one volume are personal selections by the author ...)
("The locale of your story is the picture frame within whi...)
(Use this guide to make your writings realistic and suspen...)
("Why does nonfiction have to be boring," he sniveled. "It...)
(This book is not about cemeteries. Nor is it a mystery-su...)
(This book is not about cemeteries. Nor is it a mystery-su...)
(Book by June Noble, William Noble)
Chairman board Econ, Inc., Lancaster, 1968-1969. Board member Lancaster Anti-Poverty Agency, 1968-1969. Chairman Avalon (New Jersey) Zoning Board, 1973-1976.
Board directors Vermont Ballet Theatre, Burlington, 1985-1989. Political consultant Small is Beautiful Party, New Haven, 1988-1993. Lieutenant (junior grade) United States Coast Guard, 1954-1957.
Member American Library Association (member Freedom to Read committee), The Author's Guild, Rutland Chamber of Commerce.
Married Madeline Ann Carman, September 18, 1954 (divorced September 1969). Children: William III, John Alden. Married June Solveig Brogger, September 26, 1969 (deceased June 1994).
Married Angela Elizabeth Warner Whitehall, December 27, 1998.