Background
Aida Hozic was born on April 29, 1963, in Belgrade, Serbia. She is the daughter of Arfan Hozic, a sculptor, and Nadezda Hozic, a professor, maiden name - Cuperlovic.
Obala Kulina bana 7/II, Sarajevo 71000, Bosnia & Herzegovina
Aida Hozic studied at the University of Sarajevo, where she earned a Bachelor of Arts in 1985.
1740 Massachusetts Ave NW, Washington, DC 20036, United States
Aida Hozic received a Master of Arts at Johns Hopkins School of Advanced International Studies in 1989.
Charlottesville, VA, United States
Hozic received her Ph.D. at the University of Virginia in 1997.
(Hollywood is currently one of the largest and most profit...)
Hollywood is currently one of the largest and most profitable sectors of the United States economy. In just a few decades, it has transformed itself from a dying company town into a merchandising emporium of movies, games, and licensed characters. It is quickly moving even further into cyberspace, virtual reality, and digital imaging. Aida Hozic writes of these enormous changes in the film industry from a novel perspective: by tracing shifts in the spatial organization of film production from the enclosed worlds of old Hollywood studios through globally dispersed location shooting to digital production and distribution.
https://www.amazon.com/Hollyworld-Space-Fantasy-American-Economy/dp/0801439264/ref=sr_1_2?qid=1576046586&refinements=p_27%3AAida+Hozic&s=books&sr=1-2&text=Aida+Hozic
2001
Aida Hozic was born on April 29, 1963, in Belgrade, Serbia. She is the daughter of Arfan Hozic, a sculptor, and Nadezda Hozic, a professor, maiden name - Cuperlovic.
Aida Hozic studied at the University of Sarajevo, where she earned a Bachelor of Arts in 1985. Later, she received a Master of Arts at Johns Hopkins School of Advanced International Studies in 1989. Hozic received her Ph.D. at the University of Virginia in 1997.
Aida A. Hozic is an Associate Professor of International Relations at the University of Florida. Her research is situated at the intersection of political economy, cultural studies, and international security. Thus far, her work has been focused on American media industries and their role in and relation to power and warfare. Her current project, however, explores the resurrection of the old Ottoman trade routes in contemporary Balkans, the accompanying political violence and instability, and the role of the Balkans in the world economy. The thread connecting these two seemingly unrelated areas of study is the emphasis on merchants and merchant capitalism in the context of the history of the long term. Hence, most recently, she co-directed a workshop at the European University Institute in Florence with her colleague Mine Eder, from Bogazici University in Istanbul, entitled Mediterranean Merchants. She is the author of Hollywood: Space, Power, and Fantasy in the American Economy, and a number of articles in journals and edited volumes. Her work has been supported by the John D. and Katherine T. MacArthur Foundation, The International Research & Exchanges Board, Institute for Turkish Studies, Open Society Institute, University of Florida Humanities Fund and many other fellowships.
(Hollywood is currently one of the largest and most profit...)
2001