Background
Archibald Robertson was born in May 8, 1765 in Scotland, the eldest son of William Robertson and Jean Ross. The father was an architect who removed to Aberdeen when Archibald was a child.
(London: Published by Robert Andrew Riddell, 1795. Colour-...)
London: Published by Robert Andrew Riddell, 1795. Colour-printed aquatint. Full inscription at bottom of print reads: 'To the Most Noble George Marquis of Tweedale & this View of the is respectfully Inscribed by His Lordships most obedient Humble Servant.' Very good condition apart from some light soiling, minor foxing, and several small losses in the margins. Image size (including text): 14 7/8 x 17 1/2 inches. Sheet size: 17 1/2 x 22 1/4 inches. A fine plate of the scenic mountains of Glencoe in the Highlands of western Scotland.This beautiful image is most likely part of a pair prints depicting Glencoe that Riddell published in 1795. Robert Andrew Riddell was a landscape painter, who primarily depicted the scenic topography of Scotland in watercolour. He exhibited one of his works at the Royal Academy in 1793 and gave several of his paintings to the Scottish poet Robert Burns.Archibald Robertson (1765-1835) was a Scottish artist, very talented in both painting and printmaking, who immigrated to America around 1796 (soon after this print was published) where he had a successful career painting miniature portraits on ivory. He also produced a number of topographical prints of New York City places: "Collect Pond" of 1798 among others. A number of his miniature portraits are in the collection of the Metropolitan Museum.This early work of the Highland valley Glen Coe is an extraordinarily fine landscape print, aesthetically superior to Robertson's American prints, and a fine example of colour printed aquatint.
https://www.amazon.com/Valley-of-Glencoe/dp/B00DYZBLRO?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=B00DYZBLRO
(London: Published by A. Robertson Charles Street, St. Jam...)
London: Published by A. Robertson Charles Street, St. James's Square, May 1, 1783. Coloured aquatints with gum arabic. Printed on watermarked laid paper. 1): (Bareges in the Pyrenees) after a painting by G. Barrett. Proof before title. In excellent condition. Plate mark: 16 x 21 inches. Sheet size: 16 3/8 x 22 1/4 inches. (2): View of the East Front of the Wonderful Natural Bridge of Veja: In excellent condition with the exception of a small tear in the lower margin. Plate mark: 16 x 20 7/8 inches. Sheet size: 16 1/2 x 21 7/8 inches. (3): A View of Recoaro: In excellent condition. Plate mark: 16 x 21 inches. Sheet size: 16 1/2 x 21 7/8 inches. (4): (Falls of the Gava) after a painting by G. Barrett. Proof before title. In excellent condition. Plate mark: 16 x 20 7/8 inches. Sheet size: 16 5/8 x 21 5/8 inches. (5): A View of the Lake of Wallenstat: In excellent condition. Plate mark: 16 x 21 inches. Sheet size: 16 3/8 x 21 5/8 inches. (6): View of the Ruins of a Roman Arch at Aix in Savoy: In excellent condition. Plate mark: 15 7/8 x 20 3/4 inches. Sheet size: 16 5/8. This is a stunning suite of aquatinted landscapes by the celebrated engraver Archibald Robertson from "Short Descriptive Account of the Pyrenean Part of Bigorre."Archibald Robertson was an accomplished painter and engraver who specialized in aquatint landscapes. He was active in London between 1765 and 1786 and is recorded as exhibiting three landscape paintings at the Royal Academy between 1772 and 1775. Not much is known of Robertson's history, since he is often confused with the miniature painter Archibald Robertson, who was highly acclaimed in both England and America. Given the date, style, and medium of this suite of aquatints, it would seem more likely that these picturesque landscapes were executed by the London-based Robertson, who was known to be an accomplished aquatinter as well as a print seller. These handsome prints depict various sites of beauty throughout Europe.
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academician artist editor Painter miniaturist
Archibald Robertson was born in May 8, 1765 in Scotland, the eldest son of William Robertson and Jean Ross. The father was an architect who removed to Aberdeen when Archibald was a child.
at King's College, the latter received his education, although apparently he was not graduated. In 1782 he went to Edinburgh to study the art of painting, having as associates Henry Raeburn, Walter Weir, and George Watson. After a few years he returned to Aberdeen for the benefit of his health, and in 1786 went to London, where he sought introductions to Benjamin West and Sir Joshua Reynolds. The latter was then the president of the Royal Academy, and told Robertson the steps necessary to enter that school.
He also conducted a drawing academy until 1791, when he was invited by Dr. John Kemp of Columbia College (through Dr. Gordon of King's College, Aberdeen) to come to America.
He conducted a drawing academy until 1791, when he was invited by Dr. John Kemp of Columbia College (through Dr. Gordon of King's College, Aberdeen) to come to America. The Earl of Buchan, upon hearing of his intended departure, commissioned him to paint a portrait of George Washington. This he did in Philadelphia, then the capital of the United States, a few months after his arrival. He was received with much cordiality by Washington and his family, and while with them painted miniatures of both the President and Mrs. Washington. In 1792 Robertson sent for his brother, Alexander, still abroad studying art, and together they opened the Columbian Academy of Painting at 89 William St. , New York. Four years later they settled at 79 Liberty St. , and here Archibald continued his painting until 1828. Alexander conducted a drawing academy at various addresses in the city. Another brother, Andrew, was a very successful artist in London. A collection of his paintings is in the South Kensington Museum, London. n addition to his work in portraiture, Robertson executed a number of water-color views of New York City. He had drawings and miniatures in the first, and later, exhibitions of the American Academy of Fine Arts (from 1816 on), and is listed as an Academician in 1817 when his brother, Alexander, was secretary. In that year he exhibited in the Academy his well-known cabinet portrait of Washington, painted in water-color on marble, and now, together with a number of his family miniatures, in the possession of the New York Historical Society. From 1817 to 1833 he served as a director of the Academy, and, with another artist, recommended the establishment of schools in that institution, but this proposal was defeated by the president through his influence with the board of directors, and the Academy became merely a society for the exhibition of pictures. Robertson wrote a "Treatise on Miniature Painting" which he sent to his brother Andrew at Aberdeen. This valuable work is printed in the Letters and Papers of Andrew Robertson, A. M. , Born 1777, Died 1845, edited by Emily Robertson and published in London in 1895. He also edited a treatise for the use of his pupils, published under the title, Elements of the Graphic Arts (1802). At the opening of the Erie Canal in 1825 Robertson was placed in charge of the department of the fine arts in connection with the celebration, designing the badge used and the medal struck upon that occasion. His report is printed in Cadwallader D. Colden's Memoir at the Celebration of the Completion of the New York Canals (1825). Robertson was a gentleman and a scholar. His literary pursuits included the study of several languages; as an amateur architect he made several designs for buildings; and he also recorded that he had an acquaintance with the construction of ships.
(London: Published by Robert Andrew Riddell, 1795. Colour-...)
(London: Published by A. Robertson Charles Street, St. Jam...)
In 1794 he married Eliza Abramse, daughter of Jacob Abramse, Jr. , and Rachel Walker, his wife; to them were born ten children, six sons and four daughters. Mrs. Robertson was also an artist, judging by her pen-and-ink sketches of Shakespearian subjects in the possession of the family. The latter years of Robertson's life, when he was nearly blind, were spent in retirement.