Background
Brenda Gottschild was born on October 11, 1942, in the United States. She is the daughter of George and Eliza (Hundley) Dixon.
2009
Brenda Dixon Gottschild presenting at Dickinson College.
2009
Brenda Dixon Gottschild at a book signing at Dickinson College
2016
Brenda Dixon Gottschild moderating a "Dance Circle"
2017
Brenda Dixon Gottschild
2017
Brenda Dixon Gottschild
Brenda received a Bachelor of Arts from City College of the City University of New York in 1963.
Brenda attended New York University and got a Master of Arts in 1976, and a Ph.D. in 1981.
Brenda Dixon in youth
Brenda Dixon Gottschild
(This ground-breaking work brings dance into current discu...)
This ground-breaking work brings dance into current discussions of the African presence in American culture.
https://www.amazon.com/gp/product/027596373X/?tag=2022091-20
1998
(The career of Norton and Margot, a ballroom dance team wh...)
The career of Norton and Margot, a ballroom dance team whose work was thwarted by the racial tenets of the era, serves as the barometer of the times and acts as the tour guide on this excursion through the worlds of African American vaudeville, black and white America during the swing era, the European touring circuit, and pre-Civil Rights era racial etiquette.
https://www.amazon.com/gp/product/0312294433/?tag=2022091-20
2002
(What is the essence of black dance in America? To answer ...)
What is the essence of black dance in America? To answer that question, Brenda Dixon Gottschild maps an unorthodox 'geography', the geography of the black dancing body, to show the central place black dance has in American culture.
https://www.amazon.com/Black-Dancing-Body-Geography-Coon/dp/1403971218/?tag=2022091-20
2005
(Dancing in Blackness is a professional dancer's personal ...)
Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America.
https://www.amazon.com/Dancing-Blackness-Memoir-Halifu-Osumare/dp/0813064325/?tag=2022091-20
2019
Brenda Gottschild was born on October 11, 1942, in the United States. She is the daughter of George and Eliza (Hundley) Dixon.
Brenda received a Bachelor of Arts from City College of the City University of New York in 1963. She then attended New York University and got a Master of Arts in 1976, and a Ph.D. in 1981.
In her professional life, Brenda Gottschild has journeyed from a career as artist-performer to writer-scholar, from practitioner to observer - and, lately, a combination of both. The two developments are driven by the same passion for the performing arts and her belief in performance as a highly charged, sociopolitical phenomenon. This perspective is shaped by the fact that she spent the early years of her career as a professional performer, first as a member of the Mary Anthony Dance Theater, New York, from 1964 to 1966, then as an independent choreographer, teacher, and performer in New York, Stockholm, Helsinki, and London, from 1966 to 1968, and, later, as a member of the Open Theater, directed by Joseph Chaikin, New York and Europe, from 1968 to 1971.
Brenda's work at New York University crystallized her growing desire to find a theoretical foundation for her performance interests. In making the switch from performer to scholar she managed to blur the divisions between these categories and play both ends against an interdisciplinary middle ground. Thus, in presenting her research she uses her own dancing body to demonstrate various performative and kinesthetic principles as she attempts to use the categories of lecture, performance, and discourse. She has presented her scholarly work internationally at the University of Ghana; Metropolitan University, London; and University of Cape Town, South Africa; among others.
Gottschild has published a wide range of books, essays, and articles, including Digging the Africanist Presence in American Performance: Dance and Other Contexts (1996), Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era (1999), The Black Dancing Body; A Geography from Coon to Cool (2003), and Joan Myers Brown & The Audacious Hope of the Black Ballerina: A Biohistory of American Performance ( 2012). She often works in collaboration with her husband Hellmut Gottschild on somatic and research-based explorations referred to as "movement theater discourse".
Brenda Gottschild is known as the author of books on cultural activism, dance, and the African diaspora. Her most famous work is Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era (2000), for which she received the 2001 Congress on Research in Dance Award for Outstanding Scholarly Dance Publication.
(The career of Norton and Margot, a ballroom dance team wh...)
2002(What is the essence of black dance in America? To answer ...)
2005(Dancing in Blackness is a professional dancer's personal ...)
2019(This ground-breaking work brings dance into current discu...)
1998(A Biohistory of American Performance.)
2012Brenda is a member of American Studies Association, Congress on Research in Dance, Phi Beta Kappa.
Brenda married Esty Stowell on January 18, 1971. They divorced in 1987. Then she married Hellmut Gottschild, a choreographer, on July 24, 1991. She has one children from her first marriage, Amel Eliza Stowell Larrieux.