David Batchelor is a British artist and writer. He makes sculptural installations from objects found in the streets of London, hollowed, stacked and given a new life as empty but brightly coloured light boxes or as unlit composites.
Background
David Batchelor was born on July 17, 1955, in Dundee, Scotland, United Kingdom. He and his older brother, Stephen Batchelor, grew up in a humanist environment with his mother Phyllis (born 1913) in Watford, north west of London. Stephen Batchelor is a Buddhist scholar and author.
Education
David Batchelor studied Fine Art at Trent Polytechnic (now Nottingham Trent University) from 1975 - 1978, and Cultural Theory at the Centre for Contemporary Cultural Studies, University of Birmingham (1978 - 1980).
Career
Batchelor’s work comprises three-dimensional structures, photographs, paintings and drawings, and it mostly relates to a long term interest in colour and urbanism. He has exhibited widely in the United Kingdom, continental Europe, and the Americas.
David's recent exhibitions include Flatlands, Fruitmarket Gallery, Edinburgh/Spike Island, Bristol (2013/2014); Chromophilia: 1995-2010, Paço Imperial, Rio de Janeiro (2010); Color Chart, Museum of Modern Art, New York (2008) and Tate Liverpool (2009); Extreme Abstraction, Albright Knox Gallery, Buffalo, New York (2005); the Biennial de Santiago, Chile (2005); Shiny Dirty, Ikon Gallery, Birmingham (2004); the 26th Bienal De São Paulo (2004); Sodium and Asphalt, Museo Tamayo, Mexico City (2003); and Days Like These: Tate Britain Triennial of Contemporary Art, Tate Britain, London (2003).
In January 2015 Batchelor presented Monochrome Archive 1997-2015, a large-scale installation at the Whitechapel Gallery, London, as a part of their exhibition Adventures of the Black Square: Abstract Art and Society 1915 - 2015.
David also known as a writer. He is interested in reconsidering colour theories from a contemporary context, which he explores in Chromophobia (2000), a book dedicated to the subject. His book on colour, The Luminious and the Grey, was published by Reaktion Books in February 2014. Colour (2008), an anthology of writings on colour from 1850 to the present, edited by Batchelor, is published by Whitechapel, London and MIT Press, Cambridge, Massachusetts.
Views
Quotations:
"When I make works from light boxes (such as Brick Lane Remix, 2003), or old plastic bottles with lights inside, I hope the illumination suspends their objecthood to some degree and makes the viewer see them a little differently – see them as colours before seeing them as objects."
"I often use colour to attack form, to break it down a little or begin to dissolve it. But I am not at all interested in ‘pure’ colour or in colour as a transcendental presence… So if I use colours to begin to dissolve forms, I also use forms to prevent colours becoming entirely detached from their everyday existence."