Background
Jaglom, Henry David was born on January 26, 1938 in London. Son of Simon M. and Marie (Stadthagen) Jaglom.
(This volume contains the complete BABYFEVER screenplay al...)
This volume contains the complete BABYFEVER screenplay along with a selection of stills from the film, highlighted by personal notes written by Henry Jaglom and most of the actresses in the film on the subject of babyfever. For years now, independent filmmaker Henry Jaglom has been wrestling with the thorniest of Freudian questions: What do women want? Now, with his leading lady Victoria Foyt and a large ensemble cast, Jaglom has crafted his most poignant and satisfying reply. Together in the course of a baby shower, they explore an anomaly of our times: Women's frantic race against their biological clock. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.com
http://www.amazon.com/gp/product/1878965034/?tag=2022091-20
(This volume contains the complete LAST SUMMER IN THE HAMP...)
This volume contains the complete LAST SUMMER IN THE HAMPTONS screenplay along with a selection of stills from the film highlighted by personal notes from most of the actors. LAST SUMMER IN THE HAMPTONS introduces us to three generations of a large theatrical family spending the last weekend of their last summer together at the decades-old family retreat which economic circumstances have finally forced them to put on the market. In the course of a very Chekhovian weekend, a series of comic as well as serious situations arise and the family's secrets- of which there are many - slowly begin to unravel. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.com
http://www.amazon.com/gp/product/1878965042/?tag=2022091-20
(First Edition)
First Edition
http://www.amazon.com/gp/product/B00YZMFCZW/?tag=2022091-20
(Bestselling author and Hollywood historian David Wallace ...)
Bestselling author and Hollywood historian David Wallace unveils 25 enchanting buildings and homes from Hollywood's glorious Golden Age. Hollywood buffs and architecture enthusiasts alike will savor this in-depth, behind-the-scenes look at the histories of these spectacular structures, as well as the titillating revelations about many of their famous occupants. Each restored to its original grandeur, the buildings here-from private homes to theaters, hotels, restaurants, and hot spots of the day-are showcased in 200 sumptuous photographs, all specially commissioned for this book, as well as rare historic shots. The intimate portraits of these famed spaces-including the homes of Hollywood superstars such as Cary Grant, Gloria Swanson, Cecil B. DeMille, and Charlie Chaplin, plus locations like Grauman's Chinese Theater and the Max Factor building-demonstrate the innovation, ingenuity, and drive that gave birth to Hollywood.
http://www.amazon.com/gp/product/0810955431/?tag=2022091-20
(Film stills are a blind spot in the history of twentieth-...)
Film stills are a blind spot in the history of twentieth-century photography. Largely collected and appreciated simply for their documentary value, only recently have private and public collectors started to discover their seductive and original artistic qualities. In the 1920s and 1930s, during Hollywood's golden age, film-still photography reached an unmatched level of technical sophistication and mastery and developed an aesthetic style of its own. This book assembles a selection of vintage film stills from the Hollywood of that glamorous era--masterpieces from a large collection of film photography. Reproducing them in their original format and in high-quality tritone printing, the book conveys the unique creative and narrative qualities of these pictures from a forgotten chapter of black-and-white photography.
http://www.amazon.com/gp/product/3865211534/?tag=2022091-20
(Bestselling author and Hollywood historian David Wallace ...)
Bestselling author and Hollywood historian David Wallace unveils 25 enchanting buildings and homes from Hollywood's glorious Golden Age. Hollywood buffs and architecture enthusiasts alike will savor this in-depth, behind-the-scenes look at the histories of these spectacular structures, as well as the titillating revelations about many of their famous occupants. Each restored to its original grandeur, the buildings here-from private homes to theaters, hotels, restaurants, and hot spots of the day-are showcased in 200 sumptuous photographs, all specially commissioned for this book, as well as rare historic shots. The intimate portraits of these famed spaces-including the homes of Hollywood superstars such as Cary Grant, Gloria Swanson, Cecil B. DeMille, and Charlie Chaplin, plus locations like Grauman's Chinese Theater and the Max Factor building-demonstrate the innovation, ingenuity, and drive that gave birth to Hollywood.
http://www.amazon.com/gp/product/0810955431/?tag=2022091-20
(Film stills are a blind spot in the history of twentieth-...)
Film stills are a blind spot in the history of twentieth-century photography. Largely collected and appreciated simply for their documentary value, only recently have private and public collectors started to discover their seductive and original artistic qualities. In the 1920s and 1930s, during Hollywood's golden age, film-still photography reached an unmatched level of technical sophistication and mastery and developed an aesthetic style of its own. This book assembles a selection of vintage film stills from the Hollywood of that glamorous era--masterpieces from a large collection of film photography. Reproducing them in their original format and in high-quality tritone printing, the book conveys the unique creative and narrative qualities of these pictures from a forgotten chapter of black-and-white photography.
http://www.amazon.com/gp/product/3865211534/?tag=2022091-20
(Written by a Hollywood screenwriter, this is a collection...)
Written by a Hollywood screenwriter, this is a collection of witty and revealing stories about the daily lives of the people who make movies in America today. The stories are linked by a narrator, a New York reporter who comes to Hollywood to find modest fame and fortune as a writer of films.
http://www.amazon.com/gp/product/0399130446/?tag=2022091-20
(Help and Hope for an Unexpected Journey Do real Christian...)
Help and Hope for an Unexpected Journey Do real Christians commit suicide? Yes, they do. And for those left behind, the journey following such a tragedy is unbearably painful. Finding Your Way after the Suicide of Someone You Love is a compassionate and practical guide that addresses the intensely personal issues of survivors of suicide (SOS). This gentle and faith-affirming resource helps survivors know what to expect, especially during the first year following a suicide. It includes personal stories of survivors and suggestions on how to move beyond survival to live life again. Designed for use by individuals, couples, and SOS groups, this book offers help for parents, siblings, friends, and extended families, as well as practical guidelines for pastors, Christian counselors, and other church leaders. Topics include: • What to do in the immediate aftermath of a suicide • Handling guilt and understanding the role of depression in suicides • Dealing with questions of faith and meaning • Creating a support system • Choosing a Christian therapist • Trusted resources and websites
http://www.amazon.com/gp/product/0310257573/?tag=2022091-20
(Help and Hope for an Unexpected Journey Do real Christian...)
Help and Hope for an Unexpected Journey Do real Christians commit suicide? Yes, they do. And for those left behind, the journey following such a tragedy is unbearably painful. Finding Your Way after the Suicide of Someone You Love is a compassionate and practical guide that addresses the intensely personal issues of survivors of suicide (SOS). This gentle and faith-affirming resource helps survivors know what to expect, especially during the first year following a suicide. It includes personal stories of survivors and suggestions on how to move beyond survival to live life again. Designed for use by individuals, couples, and SOS groups, this book offers help for parents, siblings, friends, and extended families, as well as practical guidelines for pastors, Christian counselors, and other church leaders. Topics include: • What to do in the immediate aftermath of a suicide • Handling guilt and understanding the role of depression in suicides • Dealing with questions of faith and meaning • Creating a support system • Choosing a Christian therapist • Trusted resources and websites
http://www.amazon.com/gp/product/0310257573/?tag=2022091-20
(For everyone who ever shivered with fear when Frankenstei...)
For everyone who ever shivered with fear when Frankenstein's hideous face flashed on the movie screen, or burst into laughter when Mae West told Cary Grant to "come up and see me sometime," here is a book to stir up vivid memories. David Zinman, a newspaperman and self-professed "movie bum," has brought together in this book completely cast listings, production details, incisive critical commentary, and many, many pictures of fifty great films from Hollywood's "Golden Age" - the 1930s and 1940s. Included are standards like Casablanca, King Kong, Gone With the Wind, Grand Hotel, Mutiny on the Bounty, and She Done Him Wrong, as well as lesser known but equally fascinating films such as She, Nightmare Alley, and the incredible Charlie Chan at the Opera. There are also lively and engaging chapters on directors Alfred Hitchcock, Frank Captra, Orson Welles, Preston Sturges, and the legendary Busby Berkely.
http://www.amazon.com/gp/product/B000E5QT38/?tag=2022091-20
http://www.amazon.com/gp/product/B000JWHPE8/?tag=2022091-20
(Screenplay and film stills plus the original movie treatm...)
Screenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-nots of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.com
http://www.amazon.com/gp/product/1878965107/?tag=2022091-20
http://www.amazon.com/gp/product/B00ZM3GKIG/?tag=2022091-20
Jaglom, Henry David was born on January 26, 1938 in London. Son of Simon M. and Marie (Stadthagen) Jaglom.
He was originally an actor. Still, he studied at the University of Pennsylvania and the Actors’ Studio, to be a performer, and he has appeared in a few films beyond his own: Psych-Out (68, Richard Rush); Drive. He Said (71, Jack Nicholson); and The Last Movie (71, Dennis Hopper). 1 le was a part of the Hollywood avant-garde around 1970 that included Nicholson. Hopper, and Bob Rafelson, and Jaglom w'as credited as a consultant on Easy Rider (69. Hopper and Peter Fonda). His debut picture, A Safe Place, was part of the BBS deal with Columbia.
He has done remarkable things: Always (an account of the breakup in his marriage with Patrice Townsend) is a lovely, heartbreaking picture that adds to the list of great Hollywood bitter-sweet comedies on marriage and remarriage; Can She Bake a Cherry Pie? finds real pain in Karen Black’s performance; Someone to Love is a loving farewell to Orson Welles (a f riend to Jaglom and a profound influence). And even in the early films there are moments of wonder—Tuesday Weld in the epochally pretentious A Safe Place (which also stars Welles as a magician—now Jaglom’s logo), and Dennis Hopper as the cracking soldier in Tracks.
Jaglom’s most recent films have seemed increasingly forced: Venice/Venice, in which Jaglom is a movie director at the Venice Film Festival who meets a new lady .... is painf ully et cetera— as well as a fatal reminder that I lenry is not a good enough actor to play Henry Jaglom. That great role needs someone subtler. Jaglom also needs scripts, and a more structured way of shooting. Otherwise, his process might actually bring someone to lay hands on a weapon. He could be the first auteur to be silenced in the middle of one of his own films.
It has been said with wisdom that some great directors make the same film over and over again—Hawks, Ozu, Antonioni. But that great family-feeling sinks in slowly. Whereas, when the audience sees the ditto marks before they stick in the director's eye—then something is wrong. And, truly, Henry laglom is far too smart, far too creative, and far too insecure to repeat himself so much.
(For everyone who ever shivered with fear when Frankenstei...)
(This volume contains the complete BABYFEVER screenplay al...)
(This volume contains the complete LAST SUMMER IN THE HAMP...)
(Written by a Hollywood screenwriter, this is a collection...)
(Bestselling author and Hollywood historian David Wallace ...)
(Bestselling author and Hollywood historian David Wallace ...)
(Help and Hope for an Unexpected Journey Do real Christian...)
(Help and Hope for an Unexpected Journey Do real Christian...)
(Film stills are a blind spot in the history of twentieth-...)
(Film stills are a blind spot in the history of twentieth-...)
(Screenplay and film stills plus the original movie treatm...)
(First Edition)
Writer, director (films) A Safe Place, 1971 (selected for New York Film Festival 1971), Tracks (selected for Cannes Film Festival 1976), Sitting Ducks, 1980 (selected for Cannes Film Festival), Can She Bake a Cherry Pie?, 1983 (selected for Berlin Film Festival 1983). Actor, writer, director (films) Always (But Not Forever), 1985, Someone to Love, 1987 (selected for Cannes Film Festival), New Year's Day, 1989 (selected for Venice Film Festival 1989), Eating (selected for Deauville Film Festival 1990), Venice/Venice, 1991 (selected for American Film Institute/Los Angeles Film Festival), BabyFever, 1993, Last Summer in The Hamptons, 1995 (selected for London Film Festival, American Film Institute/Los Angeles Film Festival), Déjà Vu, 1998, Festival in Cannes, 2002. Presenter Hearts and Minds, 1973 (Academy award best documentary 1973).Writer, director: Going Shopping, 2005, Hollywood Dreams, 2006.
Acting has edged over into psychotherapy for Jaglom—in other words, the decisions an actor faces have become for the filmmaker a model for the search for happiness and for the infinite metaphysics of being. It is also a way of meeting women, and some might say that the value of Jagloms films depends very much on the loveliness and personality of the women.
But these are films made resolutely outside the mainstream. Not that Henry is uninterested in money or naive at business. He works from independent means, yet he has been very successful at making and marketing his economical pieces of pseudo-verité in the 1980s. Thus, he is an odd mixture of the therapist/pilgrim open to everything and the sweet-talking tyrant who does everything absolutely his way. Yet he is well aware of, and eloquent about, the spoiled child-ism of Henry Jaglom—and that is a great subject, and not only in America.
He has sometimes found himself with women who do not quite stand up to the adoration of a whole film. There is no way of denying that Jaglom, at his best even, walks very close to the pit of absurd self-involvement and pretension.
