(Peter Camenzind, a young man from a Swiss mountain villag...)
Peter Camenzind, a young man from a Swiss mountain village, leaves his home and eagerly takes to the road in search of new experience. Traveling through Italy and France, Camenzind is increasingly disillusioned by the suffering he discovers around him; after failed romances and a tragic friendship, his idealism fades into crushing hopelessness. He finds peace again only when he cares for Boppi, an invalid who renews Camenzind's love for humanity and inspires him once again to find joy in the smallest details of every life.
(The Prodigy, originally dating from 1905, is Hermann Hess...)
The Prodigy, originally dating from 1905, is Hermann Hesses's bitter indictment of conventional education. It is the story of Hans Giebenrath, the brilliant young son of provincial bourgeouis in southern Germany who becomes the first boy from his town to pass into a prestigious Protestant theological college. His spirit, however, is systematically broken by his parents and teachers; over anxious about his success, they forget to consider his health and happiness. Subsiding into a fatal apathy, he is taken home for medical reasons. Here he falls in love, becomes an engineer's apprentice, learns to drink alcohol and eventually dies by drowning. Out of his attitude to the treatment that he perceived was common within the German schooling system at the turn of the century, Hesse developed his own deeply personal views on the value of Eastern education in developing the self.
(Hans Giebernath lives among the dull and respectable town...)
Hans Giebernath lives among the dull and respectable townsfolk of a sleepy Black Forest village. When he is discovered to be an exceptionally gifted student, the entire community presses him onto a path of serious scholarship. Hans dutifully follows the regimen of study and endless examinations, his success rewarded only with more crushing assignments. When Hans befriends a rebellious young poet, he begins to imagine other possibilities outside the narrowly circumscribed world of the academy. Finally sent home after a nervous breakdown, Hans is revived by nature and romance, and vows never to return to the gray conformity of the academic system.
(In this novel about music, love, and creativity, Hermann ...)
In this novel about music, love, and creativity, Hermann Hesse weaves a tale of loss and redemption. Kuhn, the sensitive narrator, disabled in an accident as a young man, has become a renowned composer. He is drawn to a beautiful, mysterious singer named Gertrude and becomes engulfed in an enduring passion for her. But because he fears her sympathy, he ends up losing her to his friend and singer, Muoth. Kuhn becomes inextricably involved in their ill-fated marriage and is almost destroyed - but eventually he finds his redemption through his art and the completion of his opera.
(One of Herman Hesse's earliest novels, In the Old Sun (In...)
One of Herman Hesse's earliest novels, In the Old Sun (In der Alten Sonne) was completed in 1908 and first published in 1914. It tells a story about 4 very different old age pensioners who, for various reasons, end up in the poorhouse of a small German town.
(With profound understanding and sympathy, but also with s...)
With profound understanding and sympathy, but also with some irony, Hesse portrays Knulp's life journey, his love affairs and his questioning of life. The novel reaches a final powerful climax when God reveals to Knulp that the purpose of his life was to bring a little nostalgia for freedom into the lives of ordinary men.
(The novel refers to the idea of Gnosticism, particularly ...)
The novel refers to the idea of Gnosticism, particularly the god Abraxas, showing the influence of Carl Jung's psychology. According to Hesse, the novel is a story of Jungian individuation, the process of opening up to one's unconsciousness.
(Hermann Hesse's Fairy Tales (Märchen) is a collection of ...)
Hermann Hesse's Fairy Tales (Märchen) is a collection of seven short philosophical fictions written between 1913 and 1918, prior to and during the First World War. The collection was first published in German in 1919. In these philosophical fictions, Hesse challenged conventional intellectual life and the orthodoxy of the world. Unlike his earlier work, the stories did not lend themselves to rational interpretation, they were essentially fairy tales dealing with dream worlds, the subconscious and the realm of magic.
(In the novel, Siddhartha, a young man, leaves his family ...)
In the novel, Siddhartha, a young man, leaves his family for a contemplative life, then, restless, discards it for one of the flesh. He conceives a son, but bored and sickened by lust and greed, moves on again. Near despair, Siddhartha comes to a river where he hears a unique sound. This sound signals the true beginning of his life -- the beginning of suffering, rejection, peace, and, finally, wisdom.
(With its blend of Eastern mysticism and Western culture, ...)
With its blend of Eastern mysticism and Western culture, Hesse's best-known and most autobiographical work is one of literature's most poetic evocations of the soul's journey to liberation.
(The Journey to the East is Hesse's tale of inner pilgrima...)
The Journey to the East is Hesse's tale of inner pilgrimage, an allegory on human desire for enlightenment and the long road that must be traveled to that ultimate goal. Using remarkably clear and accessible language, the book brings together the experience and conclusions of many years of spiritual struggle.
(One of the most astonishing aspects of Hesse's career is ...)
One of the most astonishing aspects of Hesse's career is the clear-sightedness and consistency of his political views, his passionate espousal of pacifism and internationalism from the start of World War I to the end of his life. The earliest essay in this book was written in September 1914 and was followed by a stream of letters, essays, and pamphlets that reached its high point with Zarathustra's Return (published anonymously in 1919, the year that also saw the publication of Demian), in which Hesse exhorted German youth to shake off the false gods of nationalism and militarism that had led their country into the abyss. Hesse arranged his anti-war writing for publication in one volume in 1946; an amplified edition appeared in 1949.
(These vivid, probing short works reflect deeply on the ch...)
These vivid, probing short works reflect deeply on the challenges of life and provide a spiritual solace that transcends specific denominational hymns, prayers, and rituals.
(Few American readers seem to be aware that Hermann Hesse,...)
Few American readers seem to be aware that Hermann Hesse, author of the epic novels Steppenwolf and Siddhartha, among many others, also wrote poetry, the best of which the poet James Wright has translated and included in this book. This is a special volume—filled with short, direct poems about love, death, loneliness, the seasons—that is imbued with some of the imagery and feeling of Hesse's novels but that has a clarity and resonance all its own, a sense of longing for love and for home that is both deceptively simple and deeply moving.
Hermann Hesse was a German novelist and poet who was awarded the Nobel Prize for Literature in 1946. The novels of the author are lyrical and confessional and are primarily concerned with the relationship between the contemplative, God-seeking individual, often an artist, and his fellow humans.
Background
Hermann Hesse was born on June 2, 1877, in Baden-Wurttemberg, Germany. His father, Johannes Hesse, worked for the publishing house directed by his maternal grandfather, Hermann Gundert, a scholarly Orientalist. Both his parents, as well as his grandfather, had seen service as missionaries with the Basel Mission in the East Indies. The atmosphere in which Hesse grew up was therefore pious, but the household was nonetheless an educated one and relatively urbane.
Education
Hesse attended the Latin School in Goppingen and entered the Evangelical Theological Seminary of Maulbronn Abbey in 1891. He also attended the Gymnasium in Cannstatt, in 1892 and in 1893 he passed the One Year Examination, to complete his schooling.
In 1893 Hesse won a scholarship to the Protestant Theological Seminary at Maulbronn; but he soon rebelled against the intellectual and clerical discipline there and ran away. This experience of flight was evidently of decisive significance in his imaginative development, and it recurs in one form or another in almost all his major works.
After a short period as a machine-shop apprentice, Hesse found employment in the book trade. He read widely in German and foreign literature and began to write lyric poetry, sketches, and stories. His first published works, Romantische Lieder (1899) and Eine Stunde hinter Mitternacht (1899), are mannered tributes to the neoromantic conventions of the day, pseudoexotic, melancholic, and tinged with irony.
The novel Peter Camenzind (1904) made Hesse's name. An attempt to overcome decadence by portraying the cure of a melancholic outsider by means of altruistic activity and a return to nature, Peter Camenzind presents an early, half-formed version of that life pattern found in almost all Hesse's novels.
It was followed in 1905 by Unterm Rad (Beneath the Wheel), a contribution to the then fashionable subgenre of "school novels." The book portrays the miseries and sad decline of a sensitive youth crushed by the intellectual demands and unfeeling attitudes encountered in school. In this novel Hesse divides his interest, as so often in his later work, between two characters, Hans Giebenrath who regresses and dies, and Hermann Heilner who breaks out and lives, albeit by eventually finding a compromise with the bourgeois world. Hesse himself had compromised by marrying and settling down in Gaienhofen on Lake Constance. He lived there until 1912, when he moved to Berne.
He published a number of short stories and novellas: Diesseits (1907), Nachbarn (1908), and Umwege (1912) are collections of tales of small-town and country life, after the manner of Gottfried Keller. Knulp, three whimsical sketches of the vagabond existence, dates from this period, as do the full-length novels Gertrude (1910) and Rosshalde (1913). All these works show Hesse as a careful and talented writer, with a keen psychologist's eye and a supple style, but they rather mute the serious conflicts incipiently suggested by his first two novels.
Hesse's journey to the Malayan archipelago in 1911 is, however, some indication of his inner restlessness. The interest in Oriental cultures which originated in his childhood now takes deeper root.
During World War I there occurred an extremely sharp break in Hesse's life and work. His third son, Martin, fell seriously ill, his wife began to show the first signs of mental disease, and his family life disintegrated. The war, in which he was directly involved only through his relief work for German prisoners of war, shocked him terribly; he denounced it at its outset and was in his turn denounced by the German press as a pacifist traitor. He never returned to live in Germany and became a Swiss citizen in 1922. In 1916 he underwent a course of Jungian analysis in Lucerne
The product of all these diverse traumatic experiences was the novel Demian, published in 1919. Demian reestablished Hesse in the forefront of German letters and perhaps rescued him from a creeping mediocrity in his creative work. It deals with the "awakening" of a youth, Emil Sinclair, under the influence of an older boy of mysterious presence and powers, Demian. Critics have shown that the primary key to the book is the structure of a typical Jungian analysis. But the novel contains gnostic as well as overtly psychoanalytic material and works out mythical and biblical motifs, such as that of the Prodigal Son. From this point onward in Hesse's work discrimination between the psychoanalytic and the religious elements in his symbolic motifs and patterns is extremely difficult.
Siddhartha (1922) is a hagiographic legend, but it is also a very personal confession which reworks the psychological material of earlier novels in a fresh garb; and the mystical conclusion of Siddhartha proves on examination to be as much Christian as Buddhist or Hindu.
Between 1916 and 1925 Hesse composed several of his most distinguished novellas, notably Iris (1918), Klein and Wagner (1920), Klingsors letzter Sommer (1920; Klingsor's Last Summer), and Piktors Verwandlungen (1925; Pictor's Transformations).
In 1919 he had taken up residence in Montagnola near Lugano, entirely alone and impoverished, resolved to live now only for his literary work. Iris is a beautifully wrought allegory on the search for selfhood, Klein und Wagner a study of sexual conflict, loss of identity, and rediscovery of self, Klingsor's Last Summer a series of passionately colored sketches of the life of a declining artist, and Pictor's Transformations an exotic fairy tale designed to impart a vision of the ultimate androgynous unity and of eternal change and flow.
This insight into a divine reality and unity which may be glimpsed for a moment when the usual order of the mind is momentarily shaken or dissolved, in some trauma (such as Klein's suicide) or in sexual or artistic experience, is the positive vision which Hesse seeks increasingly to convey. Thus Der Steppenwolf (1927) should not be mistaken, as it often is, for a pessimistic and desperate work; on the contrary, this account of a psychopathic outcast, close to suicide, who finds remission and self-insight through friendship with a prostitute, dancing, and drugs is a reassertion of the omnipresence of the higher reality for those sensitive to it. The "golden thread" of this reality is often discernible, especially in the music of Mozart or, indeed, the life and art of any of the "Immortals" - Goethe, Leonardo, Rembrandt, among others. Steppenwolf is formally the most consummate of all Hesse's books, an extremely intricate experimental novel. It reflects something of its author's experiences in the 1920s, after the failure of his second marriage.
In 1930 Hesse published Narziss und Goldmund, a long picaresque work in a medieval setting, which is his most overt treatment of the relentless struggle between the mind and the senses. By no means his best novel, Narziss und Goldmund has been one of his most popular; sometimes trite, it has, however, an undercurrent of pain, failure, and bitterness which is often overlooked.
In 1932 appeared Die Morgenlandfahrt (The Journey to the East), an ironic allegory on the subject of the inner pilgrimage, full of secret allusion and whimsical onomastic games; extremely elusive, The Journey to the East subsumes with anecdotal brevity the spiritual experience of several decades.
"The Glass Bead Game" Das Glasperlenspiel (1943; The Glass Bead Game), Hesse's longest and perhaps his most famous novel, took 11 years to write. It is concerned with a futuristic society in which a scholars' utopia, Castalia, exists as a separate province with the task of preserving the austere ideals of the Spirit and the unsullied service of Truth, as well as training teachers to work in the schools of the outside world. The protagonist, Joseph Knecht, is followed through his years of training until he is eventually elected Master of the Glass Bead Game, a game "with all the contents and all the values of our culture," which is Castalia's supreme cult. Through the game an element of art, and of numinous experience, infiltrates a sphere which has become too much the province of the intellect. The Glass Bead Game depicts Knecht's gradual insight into the decadence which has overtaken Castalia and his apostasy as he resolves to leave for the outside world and to become a simple teacher. The ambivalence of this delicately written and elaborate novel lies in the question whether Knecht's act is a true breakthrough to ethical action or the expression of an unrepentant individualism, or both. Ethical and esthetical, saintly and artistic elements blend and separate deceptively again and again in this novel as throughout Hesse's work.
Hermann Hesse's poetry has been published in several collections, for example, Gesammelte Gedichte (1942), and has been widely anthologized. There is also the remarkable collection of "Steppenwolf" poems, Krisis (1928). In his verse he is generally more derivative and less searching than in his prose works.
Having married for the third time in 1931, he continued to live in Montagnola, devoting a good deal of his time to a voluminous correspondence, particularly with young people interested in his work and philosophy of life.
Hesse's novel "Steppenwolf" became an international success, and the novel "Siddhartha" took the author's fame to great heights and became an international hit, as well. It was translated into many languages and it is one of the most popular Western novels set in India.
The novel Demian, published pseudonymously in 1919, won the Fontane Prize for first novels (Hesse returned the prize and later admitted his authorship).
In 1946, he received Nobel Prize in Literature after he published his last major novel "The Glass Bead Game."
Hesse is still one of the best-selling German writers throughout the world.
(Hans Giebernath lives among the dull and respectable town...)
1906
Religion
In the course of his lifelong investigation of the phenomenon of religion, Hesse developed the notion of a synthesis between the religions on the basis of a universal mysticism. According to his words, "Christianity, one not preached but lived, was the strongest of the powers that shaped and moulded me." Or "You should let yourself be carried away, like the clouds in the sky. You shouldn’t resist. God exists in your destiny just as much as he does in these mountains and in that lake. It is very difficult to understand this, because man is moving further and further away from Nature, and also from himself."
Moreover, he said that, "The road to piety may be a different one for everyone. For me, it led through many blunders and great suffering, through a great deal of self-torment, through tremendous foolishness, jungles full of foolishness. I was a liberal spirit and knew that sanctimonious piety was an illness of the soul. I was an ascetic and drove nails into my flesh. I didn't know that being religious meant health and cheerfulness."
Politics
Hesse was an advocate of peace and a writer committed to humanity and humanitarianism. At the beginning of the First World War, Hesse was one of the few German intellectuals not to be swept up by the general enthusiasm for the war. Between 1914 and 1918, he published two dozen essays criticizing the war in German-language newspapers. From 1915 on, he helped to establish a centre for the welfare of prisoners of war in Berne. He was an early critic of National Socialism. Many political émigrés from the Third Reich, among them Thomas Mann, were given political sanctuary by Hesse, and he also gave financial assistance to many of those in need.
Views
Hesse was interested in psychoanalysis, the influence of which appears in Demian, as well as in Jungian concepts of introversion and extraversion, the collective unconscious, idealism, and symbols. Hesse also came to be preoccupied with what he saw as the duality of human nature.
The peculiar features of Herman Hesse’s style are: blurring the distinction between reality and fantasy; reality as a function of metaphysical cause and effect; the oneness of the protagonist; the dissonance between the protagonist and society; the duality of human nature.
Quotations:
"If you hate a person, you hate something in him that is part of yourself. What isn't part of ourselves doesn't disturb us."
"Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours."
"Wisdom cannot be imparted. Wisdom that a wise man attempts to impart always sounds like foolishness to someone else ... Knowledge can be communicated, but not wisdom. One can find it, live it, do wonders through it, but one cannot communicate and teach it."
"Words do not express thoughts very well. They always become a little different immediately after they are expressed, a little distorted, a little foolish."
"I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teaching my blood whispers to me."
"We must become so alone, so utterly alone, that we withdraw into our innermost self. It is a way of bitter suffering. But then our solitude is overcome, we are no longer alone, for we find that our innermost self is the spirit, that it is God, the indivisible. And suddenly we find ourselves in the midst of the world, yet undisturbed by its multiplicity, for our innermost soul we know ourselves to be one with all being."
"Some of us think holding on makes us strong but sometimes it is letting go."
"If I know what love is, it is because of you."
"Without words, without writing and without books there would be no history, there could be no concept of humanity."
"We are sun and moon, dear friend; we are sea and land. It is not our purpose to become each other; it is to recognize each other, to learn to see the other and honor him for what he is: each the other's opposite and complement."
"It is not for me to judge another man's life. I must judge, I must choose, I must spurn, purely for myself. For myself, alone."
"I live in my dreams — that's what you sense. Other people live in dreams, but not in their own. That's the difference."
"To hold our tongues when everyone is gossiping, to smile without hostility at people and institutions, to compensate for the shortage of love in the world with more love in small, private matters; to be more faithful in our work, to show greater patience, to forgo the cheap revenge obtainable from mockery and criticism: all these are things we can do."
"That is where my dearest and brightest dreams have ranged — to hear for the duration of a heartbeat the universe and the totality of life in its mysterious, innate harmony."
Personality
Hermann Hesse is seen as being the "author of crisis," as an author who, in his writings, subjected himself to the torment of self-analysis, constantly searching for his own, true identity. Twice in the course of his life, Hesse experienced a dramatic escalation of his mental and psychological state.
Hesse is a source of great fascination for each new generation, who takes up his books as an instruction for the examining of their own identity. His books help to analyze the eternal question of the meaning of life.
Connections
In 1904 Hesse got married to Maria Bernoulli and the couple had three sons. In 1924, he married singer Ruth Wenger, but the marriage was quite unstable and they soon got separated. He married historian Ninon Dolbin in 1927.
Father:
Johannes Hesse
Mother:
Marie Gundert
ex-wife:
Maria Bernoulli
Maria Bernoulli was nine years senior than Hesse. She was a freelance photographer - the first woman, incidentally, to have done so in Switzerland - with her own studio in the old quarter of the town. She was also a talented musician.
ex-wife:
Ruth Wenger
Claudia Ruth Wenger (31 October 1897 in Basel - 30 May 1994 in Weimar)
Wife:
Ninon Auslander
Ninon Hesse (née Ausländer, 18 September 1895 in Czernowitz - 22 September 1966 in Montagnola) was an art historian.
Son:
Martin Hesse
(26 July 1911 in Gaienhofen, Baden-Württemberg, Germany - 14 October 1968 in Bern, Switzerland)
Son:
Heiner Hesse
died on 7 April 2003
Son:
Bruno Hesse
9 December 1905 in Gaienhofen, Baden-Württemberg, Germany - 20 July 1999 in Ochlenberg, Switzerland)
Hermann Hesse: Pilgrim of Crisis
Explores Hesse's life to discover what led to his absorption in certain themes and traces the author's impassioned quest for meaning in a fragmented era filled with crises that posed philosophical contradictions for the artist
C.G. Jung and Hermann Hesse - A Record of Two Friendships
Miguel Serrano, a Chilean diplomat and writer who has travelled widely in India studying Yoga, had a close friendship with Jung and Hesse at the end of their lives. This book is the outcome of his meetings and correspondence with them.