Background
Lizzie Petit Cutler was born in 1831, in Milton, Virginia, United States. Her father’s people were “respectable farmers, ” and her mother was descended from distinguished Anglo-French Virginia landowners.
(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Household Mysteries: A Romance Of Southern Life Lizzie Petit Cutler Appleton, 1856 Charlottesville (Va.)
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(Excerpt from Light and Darkness: Or the Shadow of Fate, a...)
Excerpt from Light and Darkness: Or the Shadow of Fate, a Story of Fashionable Life I have endeavored in this book to portray the bad not as wholly bad, nor the good as immaculate, since of human na ture either is rarely or never true. To show how errors which seem venial at first, grow into crime when fostered by indulgence, and excused on the principle of fatality, or any other pretence by which the perpetrator seeks alike to blind himself and others - to prove that to the ungoverned passions and foibles of the many, more than to the baleful crimes of the few, we owe the miseries which darken social life; and that the most brilliant gifts of person or worldly fortune are so many smiling spells which lure to ruin, those who are the slaves of impulse - to give to each his preper share of blame, making not one the wholly sinning, nor the other the wholly sinned against - is the object of the work. The writer has endeavored in every scene to veil this moral, and trusts - though not Openly thrust into notice - it has been sufficiently developed to be visible even in a careless perusal, and that the reader will not lay the book aside, feeling that he has been unable to derive from it one moral lesson or profitable reflection. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Lizzie Petit Cutler was born in 1831, in Milton, Virginia, United States. Her father’s people were “respectable farmers, ” and her mother was descended from distinguished Anglo-French Virginia landowners.
The child’s education had been irregular, and in her new residence it was made more so by the constant necessity of meeting the social obligations of life in a university environment.
In 1855 she published, with half-hearted anonymity, Light and Darkness, a Story of Fashionable Life. She chose as her scene places which she had not had the fortune to visit—New York, New Haven, and the expanse of Europe, and she professed “to veil a moral in every scene, ” but in one essential regard she defied the canons of romance. “I have endeavored, ” she, said, “to portray the bad not as wholly bad nor the good as immaculate, since of human nature either is rarely or never true. ” The heresy of this view-point was widely and vigorously denounced, and the Southern Literary Messenger of October 1855, while admitting the interest of the book, calls it “a story of guilty love, ” and judges that “it had far better never been published. ”
The author fled to New York. Society there did not blench at receiving her, but the late furore proved so disciplinary that in her next book, Household Mysteries, a Romance of Southern Life (1856), she maintained a more seemly attitude. In 1858, she published The Stars of the Crowd, or Men and Women of the Day. Soon afterward, a misunderstanding with her publishers made it necessary for her to earn money.
She undertook a series of public readings and so won the popular favor that she determined to become an actress. This resolution was defeated by her marriage to Peter G. Cutler, a prominent New York lawyer. During her married life, social activities absorbed most of the energy which she had formerly devoted to writing. When her husband died in 1870 he left her an ample livelihood, but it soon disappeared and she was forced to return to Charlottesville to ask help of friends whom she had long before estranged by the “latitude” of her writings. She sincerely attempted atonement by returning to the stricter ideals of her very young womanhood, and by writing industriously, though not with great success, for any publication that would accept her work. She spoke tenderly of the Confederacy, and people remembered that “during the war, though she was in New York, powerless to aid her people, she had given them her sympathy and tears. ”
But from 1865 to 1902 is a long while, and the Richmond newspapers, when occasion came, gave brief notice of her sudden, solitary death as that of “an aged, dependent old woman, in a cheap boarding house. ” She had friends, the reporter added, in South Carolina and in Tennessee.
(Excerpt from Light and Darkness: Or the Shadow of Fate, a...)
(This is a reproduction of a book published before 1923. T...)
Cutler married Peter G. Cutler, a prominent New York lawyer.