Background
Regine Schumann was born on February 23, 1961 in Goslar, Niedersachsen, Germany.
Regine Schumann was born on February 23, 1961 in Goslar, Niedersachsen, Germany.
From 1982 to 1989 Regine studied at the University of Visual Arts in Braunschweig. In 1989 she was acknowledged as a master student of Roland Dörfler. Moreover, Regine has won many scholarships with different institutions, such as the DAAD, The Heitland Foundation, the federal states of Niedersachsen and Westphalia, as well as with the Ministry of Education and Science of North Rhine-Westphalia.
Regine Schumann developed her career as a Light artist, creating bright installations. Even during her education, she created the artist group Freiraum. Throughout her artistic career, Regine constructs simple boxes and tubes from industrial materials. Ranging from series of simple acrylic boxes to amalgamations of coiling tubes that spiral down from the ceiling, her sculptures are greatly influenced by architecture in their graceful forms and geometric precision. While the individual surfaces, shapes, and bodies seem to preserve a constancy, their colors convey a fluctuating character, a kind of physically tangible resonance experience, confusing the senses with the radiant intensities as a color echo in the room. Tiny boxes jutting out from the wall, groups of parallel panels, and monumental slabs work together to create an altogether harmonious and graceful effect.
In 2002 Regine was appointed a lecturer at the Hochschule Niederrhein in Krefeld and held that position for a year. Schumann has had numerous solo exhibitions in Europe, Canada, and the US. Her work is included in a number of permanent collections such as the Kunstmuseum Celle in Germany, the Rheinisches Landesmuseum in Bonn, Germany, and Stroom Stiftung Den Haag in the Netherlands, among others, and in several important private collections worldwide. Regine currently lives and works in Cologne, Germany.
Central to Schumann artistic work is the investigation of the relationship between color, light, and form. She uses natural daylight as well as the artificial light of the night to produce changes in the object they touch. Schumann transforms the light to the transcendence of the objects that change our perception of the space in which they are.
From 1986 to 1994 Regine was a member of the Freiraum group, where her colleagues were Frank Fuhrmann and Dieter Hinz.