Career
As a mother and widow, she struggled financially to pursue a career in filmmaking. Under the military dictatorship (a time that saw a rise to censorship of the arts), she participated in rallies orchestrated by the leftist, student movement. Tata received help from Brazilian state programs that financed films throughout the 1980"son
She has remained sided with the Worker"s Party, as is evident in her work.
She became associated with other directors of the 1990"s known for restoring Brazilian cinema to a level of commercial and critical success. Her trilogy (Um Céu de Estrelas, Através de Janela, Antônia) portrays three different stages in a woman"s life: birth, maturity, and death.
Antônia was picked up by television Globo and made into a television series, just as City of God had been adapted for television in City of Men. Tata"s films are often politically and/or socially charged.
Several themes that are recurring in her films include the Brazilian dictatorship, poverty in the favelas, women"s role in society and the contemporary urban culture of Brazil.
