(This scarce antiquarian book is a facsimile reprint of th...)
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Making of Society: An Outline of Sociology (The Modern Library)
(We sell Rare, out-of-print, uncommon, & used BOOKS, PRINT...)
We sell Rare, out-of-print, uncommon, & used BOOKS, PRINTS, MAPS, DOCUMENTS, AND EPHEMERA. We do not sell ebooks, print on demand, or other reproduced materials. Each item you see here is individually described and imaged. We welcome further inquiries.
Victor Francis Calverton was the pseudonym of George Goetz an unaffiliated American left-radical writer and literary critic.
Background
Victor Francis Calverton was born on June 25, 1900 in Baltimore, Maryland, United States. His original name was George Goetz, and he was the oldest of the three children of Charles and Ida Janette (Geiger) Goetz. Both parents were of German-American extraction; Calverton was always proud that one grandfather had been a radical refugee from the German Revolution of 1848.
Education
Brought up in middle-class surroundings the father was a merchant tailor Calverton went to public schools and in 1918 entered Johns Hopkins, where he majored in English, philosophy, and psychology, read widely in other disciplines, and received his A. B. in 1921.
Career
After a year of graduate work at Hopkins in psychology, he began teaching in the Baltimore public schools. Calverton had early been influenced toward radicalism by his father's denunciations of American imperialism in the Spanish-American War.
In 1923 he founded the Modern Quarterly, which he edited until his death, to provide a magazine "where writers with radical vision but literary interests could find a voice. " At this time he assumed the name of Victor Francis Calverton for fear that editing a revolutionary periodical under his real name would cost him his teaching job. From its beginning the Quarterly reflected the personality and attitudes of its editor. Primarily concerned with the application of Marxist principles to the social sciences and literature, it vigorously criticized the status quo; yet it revealed remarkable tolerance toward the varied opinions of its contributors. In his career as free-lance writer, Calverton published twelve books, two of them novels of ideas, and edited six others, three in collaboration with Samuel D. Schmalhausen, besides contributing frequently to many magazines. Influenced chiefly by Marx, Freud, and Henry Thomas Buckle, he discussed anthropology, sociology, psychology, politics, religion, and particularly history and literature. In his first book, The Newer Spirit (1925), he argued that all aspects of literary expression were determined by the class relationships resulting from the forces of production. Ultimately he was to reject this oversimplified interpretation of Marx and to hold that Marxism, though an essential historical method, was of little use in aesthetic evaluation. Other volumes--Sex Expression in Literature (1926), The Bankruptcy of Marriage (1928), and the symposium Sex in Civilization (1929)--revealed his concern in the later 1920's for uniting Marxism and psychoanalytic theory in an attack on current sexual taboos. By 1930 Calverton had moved to Greenwich Village and made a name for himself in the publishing world.
Meanwhile he made frequent lecture tours in the United States and abroad. In 1931 he opened the Modern Quarterly (from 1933 to 1938 published as the Modern Monthly) to Trotskyist and unaffiliated Marxist writers. His ideological independence was also shown, as was his love for extreme generalizations, in The Liberation of American Literature (1932), which interpreted American literature in terms of a struggle between the upper and lower levels of the middle class and pronounced our literature to be mature only now that a school of Marxist writers was arising. After publishing The Passing of the Gods (1934), which declared that science was replacing religion in men's minds, Calverton began a Marxist analysis of American history; The Awakening of America (1939) was the first volume in a projected trilogy designed to describe America's growth "in terms of the ruled instead of the rulers. " His final work, Where Angels Dared to Tread (1941), was a history of the Utopian colonies established in the United States.
He died in New York of pernicious anemia and was buried in Loudon Park Cemetery, Baltimore.
Achievements
Calverton founded the Modern Quarterly, wrote 18 monographs and was editor of An Anthology of American Negro Literature (1929).
At the age of eighteen he had been converted to socialism, and in the early 1920's he was drawn toward the Communist party, though he never became a member. Always an independent radical, he broke with the Communists in 1931, charging them with totalitarianism.
Personality
A stout, swarthy man, gregarious, filled with immense gusto, he entertained constantly, tried to know everyone connected with writing, and was admired by many friends for his encyclopedic knowledge, his zest for ideas, his genuine love of people, and his boundless energy.
Connections
Calverton's first marriage, which ended in divorce, was to Helen Letzer; in 1931 he married Nina Melville, who survived him. He had no children by either marriage.