Education
He attended classes Street Pancras Working Men"s College and then became a journalist.
(There was a young man whose piety was an adage, for his h...)
There was a young man whose piety was an adage, for his heart was filled with the glory of Sion. His manner was humble ;on the Sabbath his face was habited in a religious smile and his lips framed the words Big Man or White Jesus bach. Once in the Seiet the Ruler of the Pulpit said to him :E evan Rhos, man, mouth your experience. He answered :N ot saintly enough is my voice to be raised. Of him this was spoken :H ebreathes to the Big Man. A woman came to labour in his house and on his land. Her name was Hannah Harelip, and she was from the House of the Poor inC (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
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Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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(HIGH QUALITY FACSIMILE REPRODUCTION: Evans, Caradoc: Cape...)
HIGH QUALITY FACSIMILE REPRODUCTION: Evans, Caradoc: Capel Sion : Facsimile: Originally published by Lonson, A. Melrose in 1917. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.
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He attended classes Street Pancras Working Men"s College and then became a journalist.
Evans was brought up in a Welsh-speaking community in Rhydlewis, Cardiganshire, and although he learned English at school and always wrote in English his work is influenced by Welsh syntax and vocabulary in a similar way to the way Lewis Grassic Gibbon"s work in Scotland (written in roughly the same period) was influenced by Scots. Evans left school at 14 and worked throughout Wales in a series of menial jobs before moving to London where he worked as a draper"s apprentice. He worked for The Daily Mirror from 1917 before editing T.P."s Weekly from 1923 until the weekly folded in 1929.
His first (and possibly most important) work of fiction was a series of short stories called My People, published by Andrew Melrose in 1915.
lieutenant may be compared with Sherwood Anderson"s Winesburg, Ohio and James Joyce"s Dubliners. In tone, however, this work is closer to The House with the Green Shutters by George Douglas Brown.
The work was savagely attacked by Welsh critics – he was known for a while in the Welsh press as "the best hated man in Wales"—but can now be seen as perhaps the first genuinely modern work of Anglo-Welsh literature. His next collection, Capel Sion, was withdrawn from Welsh bookshops, because of the hostility he had aroused as much as for the subject matter.
Dylan Thomas"s early and more surreal writing is said to be influenced by Caradoc"s My People.
Living together in Aberystwyth and at Ruislip, Middlesex from 1937 to 1939, Marguerite and Caradoc were involved in theatrical ventures, both in Wales and in England. In the 1940s, Marguerite wrote two autobiographical works, published by the publisher Hurst and Blackett. The first, Full and Frank: the Private Life of the Woman Novelist (1941), is a presentation of the author"s life to the public.
The second is a biography of Caradoc.
The house they lived in, "Brynawelon" had spectacular views of Plynlimon, which may have inspired her book The Miracle Stone of Wales (1957). Caradoc Evans died of heart failure at the Aberystwyth and Cardiganshire General Hospital, Aberystwyth in January 1945 aged 66 and is buried in the New Cross Horeb chapel cemetery.
(HIGH QUALITY FACSIMILE REPRODUCTION: Evans, Caradoc: Cape...)
(Leopold is delighted to publish this classic book as part...)
(There was a young man whose piety was an adage, for his h...)
(Book by Evans, Caradoc)