Background
Hidemi Kon was born on the 6 of November in 1903 in Hakodate, Hokkaido. His father was a captain of a steamer operated by Nippon Yusen, and the family relocated to Kobe from 1911.
Hidemi Kon was born on the 6 of November in 1903 in Hakodate, Hokkaido. His father was a captain of a steamer operated by Nippon Yusen, and the family relocated to Kobe from 1911.
Hidemi Kon moved to Tokyo in 1918, and was accepted into the French Literature Department of Tokyo Imperial University. After graduating from Tokyo University in 1928 entered dramatic circles and founded the Komoriza Society in 1930. During this period, he became interested in drama, visiting the Tsukiji New Theater, and took part in stage plays as a member of the "Kokoroza", a theatrical company created by kabuki and stage actors as an effort to create a more modern version of traditional Japanese theater.
After graduation, Hidemi Kon obtained part-time jobs at a number of literary magazines, including "Bungei Shuto" and "Bungakukai", providing essays, translations of André Gide, and literary criticism.
Hidemi Kon was hired as a lecturer by Meiji University in 1932. However, he quit in 1935 to devote his attentions to the direct the movie "Dancing Girl of the Peninsula" (Hanto no Maihime), starring Choi Seung-hee at the new Shinko Kinema. He also wrote the screenplay for the movie.
Hidemi Kon visited Paris for half of 1937, and returned to his former position at Meiji University in 1939. During the Second Sino-Japanese War, he maintained a correspondence with Mu Shiying, a Chinese writer who hoped that cultural exchange would help bring peace to Asia.
In November 1941, Hidemi Kon was drafted into the Imperial Japanese Army, however, the army recognized his talents and assigned him to the press corps in Japanese-occupied Philippines. He returned to Japan once on leave, but was sent back to the Philippines in December 1944. Eight days after his arrival, the situation quickly turned sour for the Japanese forces as American forces began their landings. Kon hid in the mountains of Luzon for five months with several narrow escapes from death in combat while reporting on the fleeing Imperial Japanese Army. He escaped the Philippines on a jury-rigged Type 100 Command Reconnaissance Aircraft to Taiwan, and was flying in a DC-3 from Taipei to Fukuoka when word came of the surrender of Japan.
While serving as director of the art department within the Ministry of Education from 1945–1946, Hidemi Kon created the Japan Arts Festival, now an annual event for the promotion of cultural activities, especially Japanese literature. In 1946, Kon returned to Manila again, this time as a witness for the war crimes trial of Lieutenant General Masaharu Homma.
In June 1968, Prime Minister Eisaku Sato asked Hidemi Kon to accept the newly created position of Director of the Agency for Cultural Affairs. He served in this position for four years. From October 1972, he was also chairman of the Japan Foundation, a post which he held for eight years. In 1978, the Japanese government designated him a Person of Cultural Merit. He was also made honorary director of the National Theatre of Japan in 1980.
Hidemi Kon moved to Kamakura, Kanagawa Prefecture around 1931. After a temporary move to Tokyo after World War II, he returned to Kamakura, where he lived from 1951 until his death in 1984 at the age of 81. His grave is at the Catholic Cemetery in Kamakura.